#something about not letting heroes have flaws

[gotorux]

Fandom Discourse Analysis

Mentions of aging up, enjoying villian characters, and disliking popular characters.

Something I have noticed about anime becoming more popular and mainstream and also the rise in minors in certain spaces is a constant level of discourse over certain topics. I truly believe it’s a good thing anime has become more popular. However, as it brings in more viewers, I think it’s important too open up the conversation surrounding the necessity of distinguishing fiction from reality. There is a lot of posts I see while browsing tags and although I don’t post often I think something needs to be said about three very specific topics that, for me, mean a lot and seem to have a lot of discourse surrounding them. 

One of the things I see happening a lot lately within the community is the hatred against people for liking fictional characters who happen to be minors in their respective animes. The aging up dilemma. First off, let me start by saying that a fictional pixel on a screen does not = minor. It can not be a minor because it is a drawing that was made up whenever the author wrote it. And in a lot of these instances, these characters are crafted by the authors with traits that appeal broadly to audiences, transcending their canon ages. This is particularly evident in shonen anime, where characters are often depicted with maturity, wisdom, or exaggerated physical features that align more closely with adult aesthetics rather than with children. This stylistic choice by many authors is done purposely to cater to a wide demographic, enabling viewers to form connections with characters regardless of age. 

It's important to recognize that a great majority of the time it is NOT the age that attracts viewers to the character which differentiates them with people in real life who are attracted to minors. Having a crush on, or writing about a fictional character that, like I said previously more closely align with adult aesthetics, does not make someone a pedophile. I think when it comes to loli and shota, then yes maybe we can open up this conversation as those characters are made to look like children. But that’s another topic. Acknowledging the fictional nature of these characters and their resemblance to adult fictional characters should be taken into consideration and not be misconstrued as indicative of real-life inclinations towards minors. Not to mention many of these authors don’t want them to be minors which is why they write about them as adults. Again, these are NOT minors. They are drawings and their ages can be changed depending on who’s writing them. An author could come out tomorrow and say the character has always been an adult and that would make it canon. It is not the same as pedophilia. Most people like characters like Sukuna that doesn’t reflect their real life tastes. Which brings me to my next point. 

Liking a villainous character does not correspond to endorsing those actions in real life. Anime often portrays "evil" characters with a depth that makes them appealing through usually through some form of tragic backstory, a charismatic or confident personality, or having extremely complex motivations. I think this makes people often misunderstand that liking them is a reflection of one's real-world values. That is not the case. 

Some people even like these characters just for being attractive and due to the fact they are fictional, and again an authors way of getting people to appeal to said characters, it can not be misconstrued of saying that those actions would be okay in real life scenarios. These characters allow viewers to explore themes of conflict, redemption, and moral ambiguity that can be explored in safety because it’s fiction. I think one of the main reasons people find themselves drawn to them is that villian characters are often created with flaws and authors give them depth to explore said flaws. This is why anti-hero characters are also often seen as more relatable and engaging. Anti-heroes, like villains, aren't bound by the usual moral constraints and often make decisions that are more realistic than heroes would. They can express doubts, conflicts, and vulnerabilities that mirror real human experiences. This makes them intriguing and allows audiences to connect with them on a deeper level.

All that said I think the attraction to villainous or morally grey characters often stems from their complexity and the opportunity they provide for viewers to engage with difficult ideas and emotions in a safe, controlled setting. These characters challenge our perceptions of good and evil by navigating a blurred line between the two which is appealing for most people. 

The last thing I want to bring up which kind of ties in with liking villainous characters is that disliking certain characters beloved by others is not necessarily a negative stance. Anime characters are crafted with diverse backgrounds, personalities, and motives, which naturally produce varied reactions among viewers. Understanding a character's motives yet still disliking them is completely valid and should stop being treated as inherently wrong or a negative reflection of someone. 

People are allowed personal preference and I think that encourages a a better discussion within anime communities whereby differing opinions can coexist. It is through these discussions that fans can dig into character analysis and conversations revolving around characters. Recognizing that disagreement over characters is totally normal and that people can be cool with each other, or be friends and disagree is important in both real life and fiction. 

At the end of the day there is also the block button which I will admit I use when needed, if you disagree with someone’s take. Instead of sending them hate and being a horrible person on the internet. 

[hopeforchanges]

Institutionalized Misogyny: Why Women Are "Difficult" (and Why Galadriel Deserves Grace)

Can I get something off my chest, friends?

First of all, much like Tolkien, I believe in the inherent good of all people. And I have met more kind, compassionate and assertive people than I have met the other group.

But. I have to say this either way.

Institutionalized misogyny thrives on control—especially controlling how women express themselves. Here’s the catch: when women defend themselves, they’re labeled “difficult.” You can be the calmest, most articulate person in the room, but if you dare challenge someone, you’re suddenly “too much.” Too loud, too angry, too aggressive, too bitchy and snarky and defensive. Because heaven forbid you don’t smile politely and instead dismiss someone’s dumbass opinion.

It’s systemic. When men disagree, they’re assertive. When women disagree, they’re trouble. And this double standard bleeds into how we view fictional women, too.

Galadriel’s unapologetically herself. She is unabashedly unashamed of who she is even though she fucks up sometimes. She lets pain, grief, and rage cloud her judgment and inadvertently coaxes Satan out of retirement.

And yes, she should face the consequences of those actions. But let’s be real: men in similar situations get treated like heroes on an “arc.” A guy screws up? It’s a redemption story. A woman screws up? She’s irredeemable. She’s the problem.

Galadriel isn’t perfect—and that’s the point. She’s grieving, angry, flawed, and still standing. And that makes people uncomfortable because women are expected to apologize for existing, let alone for messing up. When men fail, they’re given room to grow. When women fail, they’re told to go join Hillary Clinton in the woods and never show their faces again.

Yes, Galadriel should be held accountable. But treating her like she is the villain rather than a victim of her own humanity (or elf-ness, whatever) is the exact reason women are held to impossible standards. Let’s allow women the same grace we allow men when they screw up.

Let them be rude, let them be angry, let them feel. Women don’t have to be picture-perfect role models 24/7. They’re allowed to act human in the face of tragedy. Treat them with compassion, not contempt, for their flaws.

And by the way, this is not the fourth wave of feminism hatred post to grab pitchforks and crucify men. In fact, I am ashamed and heartbroken to even say this out loud, but it is mostly women (at least in my life) who I have seen (and both experienced) perpetuating misogyny and unnecessary competitiveness.

This is a post coming from a place of love, calling out a HUMAN, institutionalized behavior, not just male behavior, that hurts women and therefore hurts storytelling which I deeply care about.

Thank you for listening and keep being awesome.

[redeemed-wren]

I'm hoping episode 3 let's Ruby see the dark side of the Doctor. I feel that adds a very important dynamic to a Doctor-companion relationship, when they see how dark he can be and still choose to travel with him early on.

Rose watching Nine drag Cassandra back to die. Eleven yelling at Amy "Nobody human has anything to say to me today!" Donna begging Ten to stop drowning the spider babies, and then again to go back and save someone in Pompeii.

Fifteen has been FUN and I know he can do emotional range, I've seen his fear and his tears already. But I want to see him dark, and I want to see Ruby respond to that. I think it would add a LOT of depth to their relationship and is something missing.

Plus showcasing the Doctor's flaws (selfishness) will make him a much more interesting character. I want to see some conflict between the Doctor and Ruby.

[sciderman]

What are some things cable likes about peter?

nathan's type:

red mask ✅ tight suit ✅ kind of stupid ✅ filters sadness through the prism of humour ✅

bonuses peter parker has to offer

cute hair ✅ cute butt ✅ cute everything ✅

[kariachi]

Sorry-not-sorry I'm back on my normal 'Kevin and Argit were so small' bullshittery.

Because they fucking were. Kevin was twelve when Servantis tossed everybody, and Argit couldn't have been far off. They were middle school aged. 'Puberty would be starting about now if we weren't wandering the Null Void and therefor likely not eating near enough' aged.

A pair of children, with minimal education, no paperwork, no homes, no guardians. Wandering the Null Void and then the Milky Way, on their own. One a prime target for the slave trade, both prime targets for adults looking to take advantage of them (*coughcoughOttocoughcough*). With only as much security as they could provide themselves and each other. Only able to rely on themselves for the basic necessities of life.

And then this show has the audacity to try to tell me that they turned to crime due to poor morality. That they're money focused because they're just naturally greedy. That they don't trust people and look out for themselves because they're bad people that either will always be bad people or will only improve because of the power of Tennysons.

What options were there for them? What jobs are there in the Null Void? What jobs are there in the galaxy that'll hire barely-teens, if even that, with no paperwork or educations, that wouldn't ruin them as badly and pay worse than the crime they already had experience with? Will keep them fed and clothed and sheltered? When one of them already has a criminal record, for violent crimes at that? When there's nobody there to stop even the 'good' adults from taking advantage of them?

The show will sit there and tell you that Kevin's violent crimes were the result of a rough childhood, but he and Argit's non-violent ones? Totally on them, no excuse, wholly a matter of greed and not giving a shit about other people. Fucking bullshit. This is a pair of kids who had to grow up way too fast, up against an existence that saw at least one of them as easy profit, with nothing but themselves and each other, and no opportunities. They're a pair of traumatized kids who grabbed the opportunities available to them with both hands and were molded by the problems they faced.

Of course they're money-focused, unlike the Tennysons they don't and haven't had anybody making sure they had enough to get by. They've had to support themselves and live with the constant worry that something is going to go pear-shaped and they'll have nothing.

They spent years with anybody and everybody being a potential threat (even between the two of them, Argit's noting that Kevin's snapping while he worked for the Rooters was the worst he'd seen 'before or since' makes it quite clear he's seen him on and passed the edge at least as much if not more than we have), of course they're going to be slow to trust, quick to toss people aside, and unwilling to help their enemies without some sort of payout, they've been burned before.

Just- Damnit these two come from some shitty fucking situations, the effects they had on them are obvious if you bother to fucking look, and they both deserved better than the series just going "oh yeah they're assholes what do you expect they're criminals" and moving the fuck on. Like, for fuck's sake at least acknowledge that they're like this because life was a fucking lead pipe to the teeth to them! We know Kevin's situation was shit even before they met, we got to see it, but even if Argit had a perfectly good life beforehand (unlikely) the earliest we see him is being held captive for illegal experimentation purposes by law enforcement! These two have been through shit! At least acknowledge it!

Fuck, they could've replaced Color of Monkey with that, hitting on the differences between how Kevin and Argit adapted to their circumstances, give us upfront the Tennysons being a safety net that let Kevin heal (rather than just 'oh the Tennysons taught him morals because they're the Good People') while Argit's issues and lack of security kept him stagnant. It would go better with what we see of him over the course of OV leading up to the Rooters arc, and what we're shown in the Rooters arc. Give us him still being far from great or on the up-and-up but improving with the stability that comes with his 'hero' status, a repairing relationship with Kevin after that arc, and a flourishing, above-board business. Rather than backpedaling on any good the writers had thrown at him like they'd realized they were coming up against a cliff.

Shit that makes you want to get the writers by the shoulders and shake them mercilessly.

[letoasai]

Will work for food

DP x DC An idea that's probably been done before but... here it is again.

~~

It was not an ideal setting for this. Out in the open, debris being their only cover. An unnatural storm closing in. The area had been evacuated but there was still no telling how many civilian eyes could be on them at this very moment. 

The League was scattered, making this current group a touch at odds while away from the majority of their normal teams. 

Batman stood with Red Robin, Flash, Superboy, and Raven. It wasn’t a bad lineup, but things were getting dicy. 

A monster had appeared, a creature foreign to most of them. With it came storms of all kinds, winds, hail, rain. It was a mess but there was nothing natural about it. The hail shattered the pavement. The winds were picking buildings up off their foundations. The blue lightning went without saying. The ice was changing the terrain. The temperature changes were disorienting to most of the heroes.  

Worse was the fact that this creature seemed to be able to duplicate itself, spreading the chaos out to a much wider area. They were having trouble even touching the thing let alone capturing it. 

“Are you sure about this?” Batman asked, a deep frown etched into his face as he watched Raven mark out a summoning circle. 

“It’s the only idea i have.” She said bluntly, shivering from the sudden chill. “That thing is not of this realm. We need something else not of this realm to subdue it.” 

“I hear what you’re saying but summoning a demon to deal with a demon still leaves us with a demon.” Flash said, seeing the flaw in this plan. 

“Unless you know this one personally or something.” Red Robin offered, his voice exhausted. 

“It’s not a demon.” Raven said, tone irritated but it wasn’t like any of them were having a good day. “Depending on how you want to look at it, it’s far worse than a demon. That thing came from the Infinite Realm.” 

Superboy just grunted once, watching her put the finishing touches on her spell circle. “You said that in a tone that said it was in capital letters. What’s the Infinite Realm?” 

“Bad news and something we shouldn’t freaking touch.” Raven answered swiftly. She stood, eyes going over her work. 

“Then what the hell are we doing?” Flash asked quickly, all of them tensed as the wind started to pick up again. If a hurricane was thrown at them, there was little they’d be able to do about it. 

“Raven.” Batman’s voice was serious. “You’re sure?” 

“It’s all i’ve got.” She repeated. “This is not a problem this realm was meant to handle on short notice. We need help.” 

There were several things in that one statement he didn’t like. “Who are you summoning?” 

Raven was looking rather pale herself. “The Ghost King. The King of the Infinite Realm. I’ve heard word that he can be bargained with so… we’re gonna give it a shot.” 

She didn’t wait for permission from anyone else to throw in their two cents on the matter. She threw her hands out, alien words no one else understood on her lips. The chant repeated and the summoning circle began to glow a green that the present Bats didn’t care for. 

It crept up the walls of the summoning circle in oddly pretty patterns before a gaping void opened on the ground. Silently, a figure rose into the circle from that same void. The king was smaller than they’d been imagining the last minute or two. He was human shaped and sized, a black crown floating several inches over his head. He was a wispy figure, face hidden by a large hood but there were strands of white hair floating around their shadowed face. He’d had nothing but a smoky looking tail when he’d first appeared but that had now split into solid looking legs. 

Given his size, he seems like a young adult, but it was hard to say for certain without seeing his face. 

“Woah.” Red Robin muttered, Superboy agreeing with the sentiment. 

“Heroes?” The Ghost King wondered, voice soft and lethargic. “Interesting.” 

Raven bowed her head in a show of respect. “Your Majesty. I apologize for the abrupt summons. We have a dire situation and are willing to make a deal for your help.” 

“A deal…” His voice echoed gently. He spoke as if raising his voice would shatter the very air around them. “That’s not something to choose lightly. What do you want from me?” 

Raven swallowed, her body rigid with nerves. She was almost relieved when Batman took over. 

“As i understand it, we have a being from your realm here in ours. We are underprepared to deal with such destruction and-” 

“Of my realm?” The King interrupted softly, head tipped a little as his attention turned to Batman. “Who?” 

Flash laughed nervously. “We’re not on a first name basis or anything but the guy seems to control the weather.” He pointed up and the sky above them was darkening the longer they spoke. 

The King made a noise like he’d clucked his tongue and it struck all of them as a very human kind of gesture despite his title. 

“I can handle that. Your deal?” 

Raven inhaled again, this obviously being the part she was dreading. “Blood, i have the blood of the Demon Lord Trigon-” 

“Pass.” 

That drew everyone up short. The others didn’t exactly understand the significance of Raven offering her blood but it clearly wasn’t something she’d expected to be declined so quickly. 

“My soul then….” Raven muttered. 

“Raven, no!” Superboy hissed. “The fuck!” 

Batman was also eyeing her unhappily. “Absolutely not. You are not Constantine.” 

Fortunately for the heroes, each of which was ready to revolt for such a barter, the Ghost King waved the thought away. 

“Nah.” He tugged on his hood a little and Batman realized he was likely brushing away one of those white strands of hair from his face. “That’s the thing about being the King of the Infinite Realm. Souls come to me one way or another in time. No need to preorder them.” 

Raven’s shoulders sagged, eyes shifting as she rapidly tried to think of something else she could offer. 

“What do you want?” Red Robin asked before anyone else could say something stupid. “You’re the one that’s going to fight this threat for us. What’s a good deal?” 

The King turned to him and stared. They could only assume he was contemplating his answer when he hummed quietly. “Food.” 

“Wha…” Flash muttered. 

The Ghost King just nodded. “Food from your realm. It’s been…a long time since i’ve eaten.” 

“Really? Like we could go grab you a burger and that would be cool?” Superboy asked, a touch suspicious, but the King just nodded.  

“Deal.” Raven said before anyone would make it worse. “A meal for returning this threat back to your realm.” 

The King nodded again, and each of them backed up several paces when the walls to the summoning circle broke apart and the King stepped out. For the briefest of moments he seemed to nearly stumble under the gravity of actually ‘walking’ but he got over it quickly enough. 

“Can we offer you any assistance?” Batman asked. 

The King shook his head. “No.” He wandered off towards the storm, the floating crown on top of his head seeming a little larger. He moved confidently and with purpose. “Oh Vortex…” He called, walking into the winds. 

He sounded young, but all of them agreed immediately that they never wanted to hear him beckoning them the same way. His tone was dangerous, and he walked right through a car that had been flung in his direction. 

“Cool.” Red Robin muttered. 

“Simmer down, Red.” Superboy muttered. All of them wanted to follow, but with the unstable weather and a literal Ghost King wandering about, staying out of the way felt like the best option. Of course that didn’t mean they weren’t dying of curiosity. 

Flash moved to stand beside Raven, making sure she wasn’t about to topple over because of the power it must have taken to summon a king from another dimension. “You good?” 

“Yeah.” she breathed out a sigh. “Honestly, this was an unforeseen best case scenario. You should really go get that food for him.” 

Batman moved to her otherside, hearing the voices over comms noticing a shift in what was happening. “You think it will be over that fast?” 

“Yes.” 

“Well-” Flash looked up at the sky that was rapidly clearing. “Yep. I’ll be right back.” He was gone in a blur but it was hard to believe a change was happening so quickly. 

“Has it even been a full minute?” Superboy asked. “I mean, damn…” 

“Someone better have been recording visuals.” Red Robin muttered. “We are absolutely missing something amazing.” 

“He’s the King of the infinite Realm.” Raven said. “It’s the realm that connects every other realm and it is as the name implies… infinite. He rules it. I don’t even think Trigon would dare mess with him.” 

Batman had his arms crossed, still listening to the amazed chatter over comms. “Should it be suspicious that all he wants is food?” 

“He made the deal.” Raven shrugged. “He could have asked for anything. Literally.” She stopped speaking when the hooded king returned. He was floating this time though only a foot or two off the ground. He didn’t look tired or dirty or anything. 

Just the same ethereal otherness he’d arrived with. “Done.” He announced. 

“What uh- happened to the guy?” Superboy asked, pointing vaguely at where the storm had been raging. 

The Ghost King just dug into his cape and pulled out…a thermos. “Souped him. He’s gonna have a little time out.” 

“Oh my god, i have so many questions.” Red Robin whispered. 

The thermos was put away and Batman was suppressing his own urge to ask a dozen questions over what just occurred. They’d been struggling with the Infinite creature for hours and countless lives had no doubt been altered. Clean up would take weeks if not months and this Ghost King handled it in minutes. 

“My food?” 

“On the way.” Raven said immediately. “Flash is one of the fastest men on the planet. He’ll be right back.” 

The King nodded and looked around before moving to a pile of bricks that had once been a fence. He sat down and waited, somehow looking regal among the wreckage. 

“So… I’m Red Robin.” Batman looked up again when his son was sliding closer to introduce himself. “Superboy, Raven, Batman.” He gestured and the King’s hood shifted as he followed Red Robin’s introduction of them. “Is there something we can call you or is your Majesty the most appropriate?” 

The Ghost King sat in silence for a moment before reaching up to lower his hood. The shadows that had hidden his face disappeared revealing a young man only a little older than Tim. Maybe around Jason’s age. His hair was indeed white, and was braided down the nape of his neck save for the tufts of hair that floated around his face. 

His skin was pale, and Batman thought it might have been gray or even blue in different light. His ears were pointed and his eyes were a haunting green. 

With the hood out of the way, the crown lowered to sit on his head. 

“Phantom.” He finally answered. “You can call me Phantom.” 

Raven bowed her head again and Red Robin beamed. “Thank you for helping us! We literally couldn’t have done it without you.”

Phantom nodded again but without his hood to shield him there was something shy about the action. 

The Flash reappeared in a cloud of dust, two bags of fast food in one hand and a collection of drinks under the other arm. “I got a little of everything!” He announced. “Got some burgers and some chicken nuggets and fries and onion rings. There’s one of those little apple pies in here somewhere too.

Phantom took the bags with a small smile and set them beside him so he could go through them. Superboy helped with the drinks, setting everything down so Phantom could have his pick. There were three different sodas, a lemonade, and a water. 

It wasn’t fancy and probably wasn’t a fair trade of a meal for his services but he didn’t seem disappointed. 

In a flash of rings made of light, Phantom transformed. The otherness of him was still there, but instead of a noble king of a realm, a young…very living human was in his place. Black hair instead of white was still braided down his neck and the strands around his face hung limp instead of floating. 

Those eerie green eyes were now blue but that– oddly enough– was not the most startling thing about his transformation. He wore a large hoodie and jeans but his feet were bare. 

His hands and feet were almost skeletal, and his face was gaunt and starved looking. His eyes were slightly sunken and his skin was a sickly kind of pale. 

He looked emaciated, but there was the smallest of smiles on his face when he ate one fry and then another. He took a sip from every drink offered to him and then took a bite out of the burger. 

They couldn’t help but stand there and watch, all of them transfixed over what they were seeing. 

Phantom took two more bites before wrapping up the rest of his burger and placing it back in the bag. 

“Not to your liking?” Flash asked, voice small. 

Phantom licked his fingers and shook his head. “No, it was good. I’m just full. I’ll take it with me and eat it later when i’m hungry again.” 

Batman could only imagine the size of his stomach. Stopping now was probably the healthiest thing he could have done if he wanted to keep the food down. He cleared his throat. “Are you alright?” 

“Mhmm.” Phantom nodded, the rings of light appearing again. He was back in his healthier looking ghostly form. That was an oxymoron, wasn’t it? A healthy ghost form… 

“You’re still alive.” Raven whispered, stuck in her shock. “The living shouldn’t… The Infinite Realm isn’t…” 

Phantom’s lips tipped up in a smile. “You’re right, but wrong. I’m both. I’m dead. I’m alive. I’m balance.” He paused for a moment. “I haven’t been in a living realm for a while… guess i’ve been neglecting that side of me. Thanks for the food, it was a good deal.” 

He was gathering up the bags he clearly planned to take with him. 

“You should come back.” Red Robin spat the words out, likely before giving them any real thought. “I’ll take you to lunch. I’ll take you like… all the time. I am not going to pretend to know what you have going on but… shit, Agent A would disown me if i did not offer to feed you.” 

Phantom looked cold briefly. “Agent… A…?” 

Red Robin winced, “Code name for my grandfather. He’s an amazing cook.” 

“Red Robin.” Batman scowled at him. 

“Oh, what? He’s gonna give you the look for you not being the one to offer.” Red Robin said unapologetically, but the explanation had Phantom softening again. “What do you say? Lunch? Do i have to summon you?” 

“Jesus, Red. Let him actually decline or accept.” Superboy was snickering. 

Phantom looked between them, the confusion on his face clearing up after a beat. A piece of paper appeared between his fingers. It had some kind of squiggle on it none of them could read at a glance. He handed it over to Red Robin. 

“Have that on you, say my name. I’ll find you.” Phantom said. “I should…eat again.” 

“We…appreciate you helping us.” Raven added quickly, determined that they make a good impression. 

Phantom’s look grew warmer again. “It was fun.” With his bags and drinks in his arms, he wandered back over to the summoning circle. “I don’t mind helping when the trouble is severe and you were right. This particular problem was mine to clean up. Sorry about him, by the way. Vortex is an asshole.” 

Superboy and Flash both snorted. “Thanks anyway.” 

Phantom nodded at them again, floating in the middle of the circle before his eyes glowed that bright, toxic green again. He slipped inside the void and disappeared as quickly as he arrived, the remains of the summoning circle erasing itself. 

“So… That happened.” Flash muttered, not sure how they were gonna put this in a report to the rest of the League members. Batman wasn’t so sure either. 

“I can’t believe you were just hitting on the Ghost King, Red.” Superboy laughed. “I mean… Lunches?”

“What?” 

Raven was on her phone. “I am already telling Nightwing.” 

“What!? Hey!” Red Robin was looking between them. “I wasn’t hitting on him. You leave Wing out of this!” 

“No way.” 

“You asked him on a date, man!” Superboy grinned. “All the titans are going to know about this in the next hour.” 

“You guys suck!” Red Robin growled, his face a flame. 

Batman just sighed. “There’s clean up to do. Get to work.” 

He definitely did not need to think about his son’s audacity, coming onto a King of an entire realm. Where did he even learn that kind of behavior?

~~

Masterlist

[devilander]

a mirror in half-light

18+ 1.5k. homelander x supe f!reader. blood, dirty talking, cunnilingus, use of telepathic powers, acts of violence mentioned (not between reader and HL)

From someone so concerned with shielding his mind, Homelander quickly comes to appreciate your telephatic powers and how useful they can be. Especially during a boring Seven meeting.

prompt sent by @infinetlyforgotten, thank you so much 🤍

When you were first introduced to the Seven, many, including your new colleagues, compared you to Mindstorm. Sure, there were some similarities—the ability to see a person’s thoughts or to project specific images. But that’s where it ended. 

The ace up to your sleeve, which distinguishes you and earned your supe name as Quickstep, is both your telepathic precognition, giving you leverage in hand to hand combat, and your crown and glory—possession. Supe or non-supes, all could have their minds hijacked by you; an ability Vought decided not to publicize. 

Your fellow partners in fighting crime knew, though; and from day one you could feel Homelander watching you with suspicion, a stare so filled with distaste your knees almost buckled. 

Seeing you in a corridor, Homelander signaled for you to approach.

“Quickstep,” he sneered, invading your personal space until he towered over you and your neck ached from looking so high up. “If I catch you using your little powers on me, be sure I’ll crack your spine. It’ll be easier than stomping on an ant. Got it?” His sudden artificial smile did nothing to lessen the weight of his words. 

Homelander was your hero, always, since childhood. Not only that, ever since you saw him for the first time, the shining blue eyes, the softness of his blonde hair, that commanding voice... You were a goner. And he most certainly knew. The disappointment almost, almost broke your heart. 

Little by little, however, with the unspoken promise you wouldn’t pry on his mind, you’d grown close. Partners in fighting crime, yeah, of course, but you had his back, no matter what. 

In one of your missions together, Homelander smeared in an innocent’s blood from head to toe, your first instinct was to help him—clean the mess. And you couldn’t lie, him in his violence and brutality did something to you. 

“Hey, you,” you murmured. “Let me help you, okay? Let me take care of it. Let me protect you.”

Surprisingly, he acquiesced. It took no more than minutes to possess the mind of some poor bystanders, having them fight and commit atrocious acts; they wouldn’t know what came over them and Vought would be too happy not to disclose. In quick action, the narrative changed; from rabid supe, to terrorist crowd. 

Later, you found yourself in his penthouse, in his bathtub, naked and cleaning the gore as he squeezed your waist. When you sealed your relationship with a bloodied kiss, you knew there was no turning back—and you loved it. Loved his quirks, his humor, his beautiful nose and soft hair, loved his flaws and all that came with it. Loved the tie that bound you forever. 

“I love you. I love you so much,” you whispered in his ear as you lay in his bed, a few hours before your meeting with the rest of the Seven. “I ache for you all the time. It overflows, sometimes.” You giggled, remembering when your desire burned you so passionately, so intensely, your mind had one focal point: Homelander and what he could do to your body. Without realizing, all your wants and needs were suddenly projected on his mind.

In the first time, you were fearful he’d throw a fit, but he simply grinned devilish at you. 

“Wow,” he laughed. “If I’d known more about your dirty little mind I would have put it to use a long time ago, babe.” 

After that, it became a fixture, in bed, in daily moments where voicing your thoughts wasn’t an option, or in missions when silent communication was useful. And bit by bit, he delighted in it, veritable proof of your devotion and love.

As it were, in this stolen moment, cuddled in his bed, he answered. “And I love you, my darling, My own mirror.” He nuzzled your neck. “No need to scream in my mind, I’m gonna eat your pretty pussy until you beg me to stop.” 

“I’d never,” you said breathily. 

Slowly kissing from your collarbone, to your stomach and thighs, mischievously looking you in the eye as he bit and kissed and licked everywhere around your cunt. His strength was enough to keep you in the exact place he wanted. Such a delicious torture. 

Finally he turned his attention to your clit, dragging his tongue over it in elaborate patterns—he was relentless, and you both moaned at the contact. You were loud, thrashing and screaming at the slightest touch, but only for him. He played your body perfectly. 

Your hands found his hair, soft to the touch, and yanked, wanting him closer and he groaned—the vibrations going straight to your core. Soon he started tongue-fucking, just as you liked it, going deep and slow, alternating to trace your slit from your asshole to your clit; not one part of you ignored. 

“Fuck, you taste so good. You’re fucking made for me, your pussy is mine, mine, understand that?”

“It’s yours! It’s all yours. Please, Homelander, please—”

“Please what?”

“Let me come, let me come in your mouth, I want to feel you.” It was all too much, the mess his tongue made, the wetness running down your pussy and dripping in the mattress.

Moaning, he plunged two fingers deep inside you, as he squeezed your ass, bringing you even closer. You cried from the pleasure he woke in you, and even in this madness you caressed his hair, closing your legs until he was in the position you liked most: with a perfect view of his face, his soft locks, his bright eyes. 

He smirked, squeezing you tighter, until you no longer touched the bed, and he slapped your ass so hard your whole body trembled. 

“Like that, princess? Like when I do whatever the fuck I want with your sweet body? Now show me. Show me what you want.” 

You complied instantly. 

You imagined him feasting on your pussy, licking it all until his spit and your slick became one and the same. His fingers marking your ass, your thighs; biting so deeply even your invulnerable skin would cleave to his superior strength. You wanted his tongue deep inside you, for yours on end, fucking your pussy so good your legs would spasm and you would scream for all the Tower to hear, pussy clenching just the way he liked. You wanted it all—Homelander slurping on your clit and swirling his tongue, making you squirt and swallowing it all, leaving his chin a beautiful fucking mess. 

In the aftermath, body boneless and exhausted, you wanted his fingers, for him to drag it all over your juices and make you swallow and gag on it. Then, in a little tenderness, he'd give you a breathtaking kiss, further proof of your intimate lovemaking. 

As you projected all of this on his mind, his smile grew bigger, more wicked. And you knew he'd deliver it, or even more. 

“You really are such a slut.” You giggled; it was all in the game.

Later on, as all the Seven were debating their latest terrorist attack, and what plan they'd need to put in action, all you could think was Homelander. His hands on you, his tongue lapping at your clit and his disheveled hair—which, you noticed, he didn't fix for the meeting. It wasn't fair, he was too mean at taunting you.

You couldn't keep your eyes off of him and he knew. Flashes of your morning together ran through your mind. No matter how satisfied you'd been, you wanted more, again, all the time. You wanted his kisses and devastation, his head between your legs and his mouth both teasing and giving you the most world-shattering pleasure. 

You wanted to caress his hair, your newfound obsession, while he fucked you, hiting that sweet spot and filling you up with his come.

In your daydreams, you tuned out from the conversation, and like being burned you found Homelander staring straight at you, an expression oh so familiar. Unintentionally he'd become the spectator of your fantasies. 

Rising from his chair so quickly you barely caught it, Homelander said, “That's enough for today. I have other things to take care of. Quickstep, you stay.”

Whispers of complaint were quickly shut down, as Homelander glared at them until each and everyone left the room.

“Well, well, seems like someone is still wantin' for more.”

He laid his hands on your chair, then turned it so you were face to face. 

“I couldn't help it,” you smirked. “I can't get enough.”

“But that's not fair, don't you think?" He clucked his tongue. "It's your turn to please me.” He pulled you from the chair, and manhandled you until you fell to your knees with a thud. “Now, princess, get to work.”

[miraculouslbcnreactions]

Pick One: Magical Girl Show or Rom-com. You cannot be both.

Early in season four we get the episode Gang of Secrets. An episode that ends with Marinette outing her secret identity to Alya. A touching moment that sparked outrage across the fandom because it meant that Marinette had made the choice to reveal her identity to her best friend while keeping her hero partner in the dark.

This choice spat in the face of the exceptions that many fans had for the series. Thousands of pre-season-four fanfics feature moments where Ladybug and Chat Noir promise each other that they'll be the first to know each other's identities. After the Alya reveal, scores of fanfics were written to salt on Marinette's choice to tell the "wrong" person.

Most of these fics feature a betrayed Chat Noir quitting or otherwise punishing Ladybug for breaking their promise to be each other's first, thereby destroying his faith in their partnership. But that promise was never made on screen. It only existed in the realms of fanfic and, when Chat Noir finally found out in canon, his reaction was largely neutral. He never once blamed Ladybug for her choice or pushed for a reveal or even asked for the right to tell one of his friends.

So what happened here? Why did the fans have such wildly unrealistic expectations of canon? Were their expectations even unrealistic or did canon betray them? The answer to that is not as straight forward as you might think because it all comes back to one of Miraculous' many, many, many writing problems: Miraculous is trying to be both a Magical Girl Show and a romantic comedy, but those are not genres that mesh. You can only be one (or you can be a third thing that we'll get to at the end as it's the easiest way to fix this mess, but I want to mostly focus on where the anger is coming from and why the writing is to blame.)

To discuss this mismatch, we're going to do something that breaks my heart and talk about some of Origins flaws. While I love that episode and unironically refer to it as the best writing the show ever gave us, it's not perfect and its flaws are all focused around trying to set up both genres. Do note that I'm going to use a lot of gender binary language here as magical girl shows have a strong focus on gender segregation and rarely if ever acknowledge gender diversity.

Let's Talk Magical Girls

Magical girl shows are shows that center on young women and their friendships. While male love interests are often present in these shows, the boys tend to take a backseat and function primarily as arm candy while the girls save the day and carry the narrative.

A great example of this is the show Winx Club. This show features a large cast of teenage girls who save the magical universe from various threats with their magical powers. Each girl has a love interest, but the boys are usually off doing their own thing and only occasionally show up for a date or to give the girls a ride on their cool bikes or magical spaceship. I don't even think that we see the guys fight or, if we do, it's a rare thing. They are not there to save the day. They are there to be shipping fodder.

Like most magical girl shows, Winx Club starts with the main character making friends with one of the girls who will eventually become part of her magical girl squad. This brings us back to Miraculous.

Did you ever find it weird that Origins implies that Marinette has no friends? She doesn't even have a backbone until new girl Alya shows up to become Marinette's First Real Friend:

Marinette: I so wish I can handle Chloé the way you do. Alya: You mean the way Majestia does it. She says all that is necessary for the triumph of evil is that good people do nothing. (pointing at Chloé) Well, that girl over there is evil, and we are the good people. We can't let her get away with it.

This is a bizarre opening because Miraculous is not about Marinette making friends or learning to stand up for herself. If you skipped Origins and just watched the rest of the show, then you'd have no clue that Marinette wasn't close with her classmates before this year. You also wouldn't know that Alya was new in town and you definitely wouldn't know that Marinette had never stood up to Chloé before this year. So why is this here? Why waste screen time setting up elements that aren't actually important to canon?

Miraculous did it for the same reason that Winx Club did it: magical girl shows traditionally start with the main character making friends with at least one of her eventual female teammates because Magical Girl shows are all about the girls and their relationships. The boys are just arm candy.

But Miraculous isn't a magical girl show. The writers have explicitly stated that it's a rom-com and romantic comedies aren't about female friendship. They might have female friendships in them, but that's not where the focus is. The focus of a rom-com is on the romance and Origins is very clearly all about the romance.

Origins as a Rom-com

Origins has a lot on its plate. It has to establish the villain's motivation for the first time, show us how the heroes got their miraculous, show us how the heroes first met on both sides of the mask, show us how they met their respective best friends, and show us how the heroes dealt with their first akuma. It would be perfectly understandable if this 40 minute two-parter didn't do anything with the romance. They have a full show to give us that!

In spite of this, Origins has some incredibly touching moments for both Ladynoir and Adrienette because romance is the heart of Miraculous. It is the main focus of the show. The driving motivation for both of our leads and the majority of the show's episodes. To tell the story of how their journey started without at least one of them falling in love would feel wrong. That's why we see both of them fall in love!

First we get Chat Noir giving his heart to his bold and brilliant lady, then we get Marinette's heart being stolen by the shy sweet boy who never once thought to blame her for her snap judgement of his character. We even get a touching moment where Chat Noir inspires his lady to accept her role and be Ladybug, leading her to boldly face their enemy and call him out:

Roger: I have a new plan, unlike you! Move aside and let the pros do their thing. You've already failed once! Ladybug: …He's right, you know. If I'd captured Stoneheart's akuma the first time around, none of this would have happened! I knew I wasn't the right one for this job… Cat Noir: No. He's wrong, because without you, she'd no longer be here. (they look at Chloe) And because without us, they won't make it, and we'll prove that to 'em. Trust me on this. Okay? Ladybug: Okay.

I love this moment, but it does lose a little of its power when you remember that we had an Alya-driven variation of this exact same thing five minutes prior:

Alya: HELP!! (Marinette suddenly gets filled with courage. She gets the case out of Alya's bag and puts on the Miraculous. Then, Tikki appears, happy to see Marinette again.) Tikki:(raising her arms) Mmmm! Marinette: I think I need Ladybug! Tikki: I knew you'd come around! Marinette: Well, I'm still not sure I'm up for this, but Alya's in danger. I can't sit back and do nothing.

This scene initially confused me because - if Miraculous is a rom-com - then why would you make Alya the reason that Marinette became Ladybug? Why wouldn't you have Chat Noir be the one in danger so that Marinette chose to fight because of her love interest and then encourage that bond with the later scene of him encouraging her? Why split the focus like this? Why give Alya so much attention?

In case you haven't figured it out, it's because Origins is trying to establish two different genres of show. Two genres that will continue to fight for the rest of the series (or at least the first five seasons).

Magical Girls Vs Rom-com

Why is Alya the one to shake off the nightmare dust and inspire the others during the season five finale? Why is Alya the one that Marinette trusts with all of her plans while Chat Noir is kept in the dark? Why does Alya and Marinette's friendship get so much more focus than Adrien and Nino's? Why was Alya the only temp hero who got upgraded to full time hero?

It's because Alya is Marinette's second in command in a magical girl show and magical girl shows focus on female friendships while the boys are just there to be cute and support the girls.

Why do most of Marinette's talks with Alya focus on Adrien? Why is Chat Noir the only other full time holder of a Miraculous for the first three seasons and then again for the final season? Why do Marinette's friends become more and more obsessed with Adrienentte as the show goes on? Why is the love square's identity reveal given so much more narrative weight than any other identity reveal?

It's because Miraculous is a rom-com and the love square is our end game couple, so of course the story focuses on their relationship above all else!

Are you starting to see the problem?

Circling back to our original question: no, it was not unreasonable for the fans to expect that the Alya reveal would have massive negative consequences for Ladynoir. That is what should happen in a rom-com and Miraculous is mainly written like a rom-com. But the writers are also trying to write a magical girl show and, in a magical girl show, Alya and Marinette's friendship should be the most important relationship in the show, so it makes perfect sense that the show treats the Alya reveal as perfectly fine because the Alya reveal was written from the magical girl show perspective.

When it comes to Miraculous, if you ever feel like a writing choice makes no sense for genre A, re-frame it as a thing from genre B and it suddenly makes perfect sense which is fascinatingly terrible writing! It's no wonder there are people who hate the Alya reveal and people who will defend it with their life. It all depends on which genre elements you've picked up on and clung to. Neither side is right, they've both been set up to have perfectly valid expectations. Whether those expectations are valid for a given episode is entirely up to the mercurial whims of the writers!

How Do We Fix This Mess

At this point, I don't think that we can, the show is too far gone, but if someone gave me the power to change one element of Miraculous, that element would be this: scrap both the magical girl stuff and the rom-com stuff and turn Miraculous into a team show where the friendships transcend gender.

At this point, I've written over a quarter of a million words of fanfic focused on these characters (the brain rot is real) and one thing I've discovered is that it is damn near impossible to keep Adrien and Alya from becoming friends. They're both new to their school while Marinette and Nino have gone to the same school for at least a few years. Alya and Adrien are both obsessed with Ladybug plus Adrien is a natural hype man who loves to support his friends and Alya loves to talk about her blog. Alya is dating Adrien's best friend. On top of that, Alya, Adrien, Nino, and Marinette are all in the same class, meaning that they pretty much have to be spending time together five days a week unless French school don't give kids a chance to socialize or do group projects. If so, then judging them for the first issue, but super jealous of the latter.

Given all of that, why in the world is does it feel like Alya is Marinette's close friend while Adrien is just some guy who goes to Alya's school? Along similar lines, while canon Marinette barely talks to Nino, I've found that Marinette and Nino tend to get along smashingly, especially if you embrace the fact that they have to have known each other for at least a few years.

If you embrace this wider friendship dynamic and scrap the girl squad, replacing it with Alya, Adrien, Marinette, and Nino, then the fight for narrative importance quickly goes away. It's no longer a question of is this episode trying to be a magical girl show or a rom-com? Instead, the question is: which element of the friend group is getting focused on today? The romance or the friendship?

A lot of hero shows do this and do it well. I think that one of the most well known examples is Teen Titans. That show has five main characters and the focus is usually on their friendships, but there is a very clear running romantic tension between the characters Robin and Starfire with several episodes giving a good deal of focus to their romance. I'd say that this element really starts in the show's the 19th episode - Date with Destiny - and it all culminates in the movie that capstones the series: Trouble in Tokyo. The character Beast Boy also gets a romance arc and, while it's more short lived, it's further evidence that you can have strong romances and strong friendships in the same show and even the same episode. You just have to own the fact that boys and girls can be friends with each other, a very logical thing to embrace when your show has decided to have a diverse cast of heroes instead of imposing arbitrary gender limitations on its magical powers.

I couldn't figure out a way to work this into the main essay, but it's relevant so I wanted to quickly point it out and give you more to think about re Origins. Have you ever found it weird how Origins gives both Adrien AND Marinette the "I've never had friends before" backstory and yet wider canon acts like Marinette has this strong amazing friend group while Adrien doesn't seem to care about making friends and instead focuses all his energy on romance? Why give both the protagonist and the supposed deuteragonist this kind of origin if it's not going to be a major element of the show? It makes so much more sense to only give one of them this backstory and then focus that person's character arc on learning about friendship.

[blackbirdsblackberries]

I Hate The New Hero

Pt 2: A spider's nest is different to a bird's.

You exit the school building with two of your friends; Sherri Webster and Tia Hunt. You see Timothy leaning against the wall to the exit of the school building and you can't help but scoff, does he not have a life or friends?

Okay, judging by how the polls are going now, this one is winning!! I'll post the second part of Don't Drink The Kool-Aid soon (possibly tomorrow or the day afterwards). Don't be afraid to send in asks and such regarding anything! I love answering them and doing side stories/headcannons for this series or other series of mine!

The day rolls by painfully slow. How could it not when you're going to invite someone, who you're pretty sure would throw you to the wolves for a dollar, into your shitty apartment?

Tia notices your gaze and chuckles, you had already told them both about Tim and the project, they laughed and made fun of you - you'll get back at them.

Sherri pats me back "If you don't come back to school tomorrow we'll let the police know he probably murdered you!" Tia laughs at that and I grumble and elbow Sherri.

"Oh shut up! God, you're insufferable!"

"And you're about to be dead!"

"Oh please, no one in Gotham stays dead these days!"

"I'll make sure you do!"

Tia interrupts before the minor spat ends in the two forgetting Timothy is there - now looking at the three with the very hatred you'd give to your parent's murderers.

"Can you guys fight later? In the group chat maybe? I'm starving and want to go home - private school food tastes like shit." Sherri sighs but agrees and the two wave goodbye before leaving you.

You wave and after a bit of awkward silence you glance at Timothy who is now staring daggers at you, his eyes are calculating but aren't narrowed - like a feral wolf analysing it's target. You hold back a sigh as you raise a brow.

You make a hand motion for him to follow you and you start to walk along the path to your amazing, beautiful, posh, cool apartment that in no way is flawed.

The walk is silent and painful, at this point your willing to bust out the charms and joke with him but you're scared he's going to smash your head into the concrete as soon as you make a joke.

You walk past a poster that was hung up regarding the heroes of Gotham, Aranea is near the center hanging to the side of a wall. You scowl at it - the picture was bad and didn't flatter you at all.

Timothy catches your scowl and makes a show of rolling his eyes and typing something on his phone. You can't hold back any longer.

"What? You grading me or something? Speak the fuck up if you have a problem, Richy Rich." You sneer as you say the last part, he snaps his head up at you in offense.

"Oh, you want me to speak up?! Fine, you're a selfish brat who's got parents that fawn over you and you never lacked anything in your life yet you go after some sweet innocent girl who would a hundred percent save you if you needed it. Aranea is one of the best people in Gotham and it's disgusting that you are so rude to her!" Timothy rants. You can't help but raise a brow, you want to laugh so hard - the irony is right there.

Instead you roll your eyes "You hate me because I hate someone you fangirl over? How pathetic. Hate me for a real reason!" You try not to smirk when you see Timothy try to take deep breaths and calm down.

"... Let's just get to your apartment already." He states as he continues walking, you raise a brow. "Wrong way." He turns around and follows you silently.

------------------------------------------------------------------------------

Finally you stop in front of your stunning apartment. Out of the corner of your eye you see Tim raise a brow.

"How'd you get into a private school if your parents can't even afford an apartment building that doesn't look like it's had ten different crime scenes this week?"

You deadpan, ouch man...

"I got in through an engineering scholarship." You reply blandly, no point in spilling your emotions and true personality to a person like Timothy.

Timothy doesn't say anything else and you take that as the conversation ending and lead him into the complex and to the apartment you reside in.

It's home and you wouldn't want anything different. The plants are dead, there's a leaky tap, the clock that's stuck on the wall ticks annoyingly, there's a small spider making it's home in one of the corners and all the furniture looks one kick away from dust.

Your parents don't have much time to clean...

You look at Timothy out of the corner of your eye, despite loving where you live you know people will judge and Tim will probably use this against you some time in the future.

.............................................................................................

Tim's confused. You had always exuded "rich spoilt brat" behavior and seemed so stuck up yet live in actual filth? On top of that you got into Gotham Academy on a scholarship? Do high schools even do scholarships? It doesn't make sense.

Tim's not an idiot, he knows he's being petty but at the same time he can't bring himself to stop. Aranea is one of the kindest people he's met in Gotham, a saint, an innocent person who deserves a good life.

Yet, you hate her guts, you say awful things about her despite not even meeting her - or maybe you did, either way there's no reason for you to be acting like this.

Tim isn't petty, he won't use your living situation against you but the scholarship thing can be.. a small post can ultimately cause ridicule in the school.

He blinks a couple times, not noticing how he's already in a cramped bedroom - it's the size of a supply closet in the manor!

There's a bed in the corner, a window that's curtained up, a closet, a toy chest and a pile of sketch books that reaches halfway up the bedframe. It's cozy he supposes - for a sewer rat at least.

You mumble something about getting food before leaving the room. Seems you have some smarts and etiquette.

His phone buzzes and he looks down at the Gotham Vigilante Group Chat (GVGC), it's a message from Aranea.

Aranea: "Heyyyy!! I won't be able to go on patrol tonight, my mama wants to go out for dinner :("

Tim sighs, that's good. He can't go because of the stupid project so it seems he won't have to get horrendously teased for missing out on hanging with Aranea.

Tim's phone buzzes again and it's Bruce.

Bruce: "Message if (Reader) does anything sketchy. You can't trust someone so hateful."

Way to state the obvious. Tim already had multiple plans in case you did something.

He pockets his phone after responding with a thumbs up and he sits down, on the floor - assuming that's where they'll work.

.............................................................................................

Soon you come back with snacks in hand and had changed into more comfortable clothes - they were your dad's because in no way were you going to show Timothy your sense of style.

The clothes consisted of cargo shorts that were grossly oversized and tied with some shoelace to stop them from falling and an oversized shirt with the image of Garfield on it.

You raise a brow at where Timothy is sitting.

"Uh, why are you sitting on the floor?"

"That's where we'll work. Why?"

You think you're ready to go cry in a corner out of frustration.

"I have a bed."

"okay? I doubt it can even fit the both of us."

... Okay, that's true. Still, even if you hated him your parents didn't raise you to be rude to guests.

"Fine. You sit on the bed and I'll kneel on the floor."

You watch as his eyes widen, not expecting that response. You push him to stand up and make him sit on the bed before plopping down and taking a big sketchbook and flipping to the back of it.

"Okay, let's get started." You mumble, more so to yourself.

You two spend the next three to four hours researching, drawing things and writing down dates. By the end of it your tired and just want to sleep. It would have been done sooner if there wasn't an argument that caused you to storm out of the apartment and pace the halls and if Tim didn't leave to the halls to answer a call but at least it's over with.

You rest your head against your bed, you're still on the floor and more than content staying there, you doubt your body will even allow you to move.

Slowly your eyes close and you drift off to sleep.

[aficionadoenthusiast]

yes yes annabeth has abandonment issues and she loves percy because he's the only one who stayed, but have you considered: she loves him because he has no ambition

(i'm tempted to just leave it at that, but i'm guessing most people will not get what i mean, and i like doing this stuff so let's go)

think about it. for her dad, it was the dream of having a normal family and a nice normal job where he could work on his projects without distractions. it was the desire to make helen happy because she could give him that life even if it hurt his daughter.

for thalia, it was the dream of not being the child of the prophecy. it was finding a family with the hunters, no strings attached. it was maybe even the desire of keeping annabeth and luke alive by sacrificing herself, at least a little bit.

for luke, it was the dream of being a hero. it was the dream of saving the demigods. it was the utter belief that he knew what was best and could achieve that goal, damn the consequences. it wasn't even pride. it was just good intentions marred by ambition and bad influences.

for grover, it was the dream finding pan.

the one thing all of these dreams have in common: they took annabeth's family away from her.

that's not to say percy didn't have desires or dreams or goals or anything, but the difference is that everything he wanted had her in it, and none of it was particularly ambitious.

he didn't want to be a hero. he just did what he had to do til his job was done. even his ambitions now have annabeth written all over them: going to college with her in new rome, trying to live as normal a life as possible, growing old with her, etc. there's nothing he wants that doesn't involve her, and you know what? they deserve that so much, that open-hearted devotion.

which introduces some fun irony: where percy's fatal flaw is loyalty, annabeth's fatal flaw is hubris, and one of the first real things she ever said about herself is that she wants to build something permanent. that is hardcore ambition right there, but it ties right back into her abandonment issues. she wants to build something that won't leave and disappoint her.

in that regard, percy's lack of ambition fulfills her excess ambition because his loyalty gave her something permanent. they love each other so much that they fill in the gaps of each other's fatal flaws, and their ambitions fit like puzzle pieces. they never have to doubt each other because there is nothing to doubt.

she loves him because he has no ambition.

[aceof-stars]

One thing I love about Miles Edgeworth is how realistic and practical he is, more than he is moralistic. As much as Miles cares about justice and doing what he thinks is right, he’s not fueled by belief the same way, for example, Phoenix is. And this is one of the things I feel like gets ignored or brushed aside when Miles's character is softened too much.

Both pre and post redemption, Miles puts a lot of emphasis on reality and the bottom line of what people can do in a situation.

In Turnabout Goodbyes, the first thing Edgeworth says in response to Phoenix asking him why he became a prosecutor instead of a defense attorney is: "… I couldn't let myself deny reality like you."

He also doesn't truly believe that every defendant he prosecutes is guilty, contrary to popular belief. In Turnabout Sisters, he says this: ""Innocent"…? How can we know that? The guilty will always lie, to avoid being found out. There's no way to tell who is guilty and who is innocent! All that I can hope to do is get every defendant declared "guilty"! So I make that my policy." Miles is disillusioned with finding the truth and trusting people that he settles for doing all he can hope to do.

And when you think about it, his motivation of finding the truth is an extension of his realism. After all, the truth is quite literally the most objective, realistic thing ever. In 1-3, after helping Phoenix convict Dee Vasquez, he says: "Will Powers was innocent. That he should be found so is only natural… not a miracle." The truth as a motivation is probably a grounding force for him.

When Miles comes back in Farewell My Turnabout, he calls out Phoenix's flawed motivations for becoming a defense attorney by offering realism: "We aren't some sort of heroes. We're only human, you and I. You want to "save someone"? That's something easier said than done, wouldn't you say? You are a defense lawyer. You can't run away from that. You can only fight. That's all you can do." Miles isn't saying Phoenix can't "save someone". Miles is saying that Phoenix shouldn't be so focused on saving someone that he forgets that his job as a defense attorney is only to fight for them.

Side note, I love the way Miles comforts people, he isn't exactly "nice" but he's incredibly kind. His blunt honesty digs at the heart of the matter, and he gives them an extra push because he respects them enough.

And then there's, possibly, my favorite Miles Edgeworth line: "It doesn't matter how many underhanded tricks a person uses… The truth will always find a way to make itself known. The only thing we can do is to fight with the knowledge we hold and everything we have. Erasing the paradoxes one by one… It's never easy… We claw and scratch for every inch. But we will always eventually reach that one single truth. This I promise you." This directly parallels the line he says in 1-2, and it makes me emotional every time I think about it.

The fact that Miles Edgeworth never lost his unwavering realism, in both quotes he acknowledges how untrustworthy people can be, but gained a new purpose.

[i-am-a-fan]

Oooo amazing counter points!!!

Here’s two fresh hot takes guys!

Tldr for the second half: Mk has other sets of ideals and flaws with the strong ones of the argument being self hatred, selfishness, and returning to normalcy. Mk never explicitly states his own feelings for how Wukong made him feel and due to parallels in season 3 and season 4, it seems like the narrative may be calling for him to cause damage to the world.

I saw a post talking about how there’s a deep mischaracterization of Mk in the fandom specifically about his monkey form and I’m here to dissect it. (WIth doodles!)

Tldr: Will Mk end up hurting his family in season 5 due to his new Monkey form? Most likely no, but it is possible that he indirectly hurts them by not understanding the limits of his power.

First things first let’s collect a list of attributes that we know Mk has from past seasons. This will serve as a spine or checklist to see if certain actions are possible. A thing to keep in mind though is the ranking of each attribute as the writers of LMK wrote there are characters as complex and sometimes abandon certain character values if their center value is threatened. 

Mk’s character value list (in my opinion) is as follows: 

-Family 

-Strength 

-Freedom 

-Dependability 

with family and strength being so close to each other, so sometimes strength ends up as Mk’s main concern. Of course, all of these end up mixing at times and in the first seasons we see the mixing of these values gets him in trouble 

Desiring the freedom of choice over listening to Wukong (Pig Pong Panic). Wanting to be dependable but overestimating his strength (Duplication). Wanting to be strong but forgets his family in the process (shadow play). Eventually, he gets his priorities in check and has ended up sticking to this list for most of seasons 3 and 4. 

Now his flaws (in no particular order): 

Impulsivity 

Forgetfulness 

Stubbornness 

Blind devotion 

He’s overcome a lot of these when he was forced to learn them in season 3. His stubbornness to not tell anyone what was happening with the LBD got people hurt. His impulsivity with his actions ended up crashing the ship, and almost sold his family to a goldfish demon.

(Text: Mk's Fault, Good Intentions, Trying mentor)

So he’s had to come up with methods of working around that. Mk’s blind devotion to Wukong almost got Mei killed, and we see how he changes because of it. At the end of season 3, Mk doesn’t explicitly say that he sees Wukong in a new light but he heavily implies it with the metaphor of a bowl of noodles. 

So… Will Mk go crazy and end up hurting his friends? 

I highly doubt it. While I toyed with the idea, Mk is a lot smarter than the fandom usually gives him credit for. He knows Wukong is flawed, and he still trusts in him because he knows Wukong is trying. Mk has faith in Wukong’s strength and the fact that Wukong also heavily values family, even if his isolation makes it a lot harder for him to do so. Just rewatch the ending of season 3 where Wukong apologizes to Mk and watch as Mk comes to the realization that Wukong is trying so hard to make up for his past. (They also drive this point home in season 4 with how disappointed Wukong sounds at himself for not finding Mk in the scroll in the season finale.) 

(Text: He's flawed and trying, Has to accept harsh reality, Dissociating Coping mechanism)

So what about Mk’s impulsivity? I doubt that’d be something that directly harms his friends. He’s worked on his impulsivity by working with others (Redson in season 3 and Mei’s planning in season 4) to help fill in the gaps in his plans. In order for his impulsivity to harm others, you’d have to break that family value first or raise that value of strength and freedom. Most likely this flaw can manifest in Mk overdoing his Monkey form ™  and sending a shockwave that accidentally hurts the people around him.  Probably manifesting either in training or while having fun with Mei (think about how Mk was in the Bad Weather episode). 

Okay, what if Mk is tricked into it like he was in Season 4 (back to the flaw of blind devotion)? Mk has spent every season backstabbed by someone he trusted. We see him snap at Azure after he finds out that he was going to keep Wukong in the scroll. He snaps at Macaque in season 4. It’s safe to say that he’s learned, at least partially, to not trust others so blindly. Mk is also supposed to have gotten the “skill of self-reflection” in “Revenge of the Spider Queen” but his reflecting has mostly just impacted the other flaws. 

(Text: Side note, Monkey Mk doesn't have a nose)

But there is one possibility I toy with, bottled up emotions. Mk has extremely big emotions but hates showing any emotion that can be seen as negative. He loves being happy and he’s not afraid to show it, but as soon as those emotions turn to doubt, anger, or sadness he bottles them up fast. He knows he can rely on his family, but he’s stubborn and thinks that his emotions aren’t worth that hassle. Take the ending of season 3 where Mk states that “he tries not to think too hard” about his own place in the universe, which could be due to a fear of losing the value of freedom if he has a specific role to play in the universe.

(Text: Guys He's so avoidant, forced to think about his identity, 18-early 20's and Identity crisis)

It’s worsened by the fact that every. other. character. avoids. their. emotions. No other characters in this series are open about their emotions except Tang and Sandy. And from season 3 (and a bit of season 4) we know that Mk doesn’t view Tang in an extremely positive light.

Not exactly negative, but his admiration lies more on the rest of the team. Macaque points this out in season 2 stating in “Shadow Play” that Mk should talk out his insecurities, but no one else does that. 

That being said Mk isn’t entirely forgetful either. Macaque was a season 1 villain with his betrayal going through season 3. Mk’s high value of family, and flaw of blind devotion, make him want to give him a chance as Macaque’s past is connected with Wukong’s. HOWEVER, Mk is also stubborn and hasn’t forgiven Macaque’s actions. That’s why he snaps, plus the fact that Macaque is terrible at direct communication. Like I said before, Mk won’t directly hurt anyone he cares about, but if his monkey form is highly connected with his emotions (as most magic tends to be) having those bottled-up insecurities might accidentally cause Mk to unleash more power than he means to.

(Text: Normal, Fed up Meter, rage (on jar))

I have no idea where season 5 is going to go, but I’m so excited about the possibilities. 

(Text: Terrified of his actions hurting his family. UNSTABLE!!!)

[a-spes]

| DEVIOUS LIES — Part three (8.929 words).

| Summary — Anon Request — When your friend asked you out for a drink, you didn't think much about it. Yet, maybe you should've, because that night ruined your life. It may have been two years since the events, but you still can't stop think about what you've lost. Your job, your friends, your lover, and even your mind was left in that motel room.

“I am a hero,” you whispered in your breath, “and that’s what heroes do,” you added, repeating the sentence once more. You were trying to find a little bravery in this mantra, the one you needed to push your limits a little further.  Yet, all you find in these words is deep despair, because a part of you knows that they are not true — and you are not a hero. Not anymore. You tried to believe Fury’s lies. You wanted to believe them, and deceive yourself because it gave you a bit of hope, a reason to carry on, but the illusion couldn’t last for eternity. What’s a hero when they are hated by the whole world? A villain.

| Tags & warnings — Avenger!Natasha Romanoff x Avenger!Reader, Wanda Maximoff x Reader (platonic), Other Avengers x R. Angst with comfort, mental health issues, suicidal ideations, self depreciation, mentions of SA&SH, manipulation, severe injuries, no happy ending.

| Author's notes — This is the last part of the "Devious Lies" serie, and I really hope you all enjoyed reading it as much as I enjoyed writing it <3

| MOODBOARD — ✧ — MASTERLIST — ✧ — TO SAY SOMETHING

| Part one. Part two. Part three. the scars in our hearts (bonus part).

Many people would say that you are not a hero, not anymore. You have lost this title years ago, the day you revealed your true face to the world by cheating on Natasha —; how could they trust someone with their lives when that person can’t even remain loyal to their girlfriend? A hero is not a human, it is a perfect being that exists for the sole purpose of saving the world, and making children dream. You exist only to give hope to the population, but there is none once they discover that you are just like any of them, someone full of flaws, and failures, just a mess —; just human. 

Who knows the horrible things you might have done in the past, or the numerous lies you could have said to twist the reality? Not them, because they know nothing of the truth behind your departure, but they were still convinced that you were a monster who had been lying to them all this time, and it was too late to undo their hatred. A few days had been enough for rumours to spread, suddenly everyone had a story to share that proves how wicked you were. These stories have slowly replaced those of your greatest achievements, the many times you saved the world now forgotten in favor of all the little things you did wrong.

And you know these stories by heart because you have read about them in newspapers, heard them on television and in cafés. Wherever you go, these rumors follow you, they stick to your skin like an obsessive ex that won’t let you go, even after several years. The people never forget, nor they forgive.

Yet, none of them had the courage to hate you to your face. No, it was always behind your back, a bunch of glances they thought were discreet and whispers as soon as you turned around. You might not be their hero anymore, but you haven’t lost your abilities, and they are aware that you could easily kill any of them in less than a minute. But, instead of letting the anger consumes you, you pretended to not see the fear in their eyes, mixed with hatred. Except that, the longer this situation lasted, the more difficult it became for you to ignore their hostility. You would lie if you said it didn’t bother you to see these emotions replace the admiration that used to sparkle in their eyes.

If you are being honest, you have thought about it, about killing some of them. These thoughts come to your mind more times that you care to admit —; it would be so easy to snap their necks so you will never hear their hateful whispers again.

What do you have to lose anyway?

Nothing you haven’t already. At worst, they will send you in prison, but to your exhausted mind the idea sounded more tempting than repellent. Sometimes, you think about it as a sweet dream, and it brings you some peace —; if you were in prison, you would be blessed with ignorance. If you were in prison, they would have a real reason to use these slurs. If you were in prison, you would eventually be where you deserve to be. But, no matter how many times you thought about it, you couldn’t bring yourself to do it and so, instead, you shut yourself away in your crappy apartment, where you could no longer harm anyone.

—   —   — 

“But you are still a hero,” the man told you. It was months ago, almost a year, and it was the first time you had seen Fury since the events that led you to take a break. 

A break that was coming to an end, and that you were desperately trying to prolong. Unfortunately, the man is as stubborn as you are, and he is determined to convince you to return to the field. He needs you, and that is obvious, even though those words haven’t crossed his lips. You can feel his desperation. 

You disagree with him. 

You are not a hero, and he definitely doesn’t need you. There are dozens of agents more talented than you are, dozens of promising, and less controversial, souls who deserve a chance. He should better abandon you now, and let you rot in your apartment, because he will be disappointed sooner or later. But you didn’t tell him that. Instead, you stayed quiet, because the words were stuck in your throat.

“Don’t tell me that you are that kind of agent?” he asked, to fill the silence. The tone of his voice had changed slightly. There was something petty about it, something that is crawling under your skin —; it is the disappointment that his words carry. Yet, you have no idea what he is talking about —; “that kind of agent”? The worlds held no meaning to you, but you could still feel that they didn’t bode well, and that you didn’t want to be that kind of agent. You can see his eyebrows rise in anticipation of an answer you can’t give him.

“What kind?” you asked back, without any conviction, just because you know that is what he expects. You accompany these words with a sigh.

You are not in the mood for this kind of game. You only want one thing, and it is to go back to your apartment, to slip back into the comfort of your sheets and stay there for days to come. In fact, you may never leave them ever again. That is the only place where you can ignore the world, where all your worries disappear along with the rest. The only place where you do not need to be human, or pretend to be strong, where you can be a mess, and no one would be here to judge.

You were really not comfortable at the idea of coming here, to Fury’s office, at the S.H.I.E.L.D. 's headquarters, and being there makes the feeling even worse. He promised you that no one would know, but how could he be sure? The mere thought that one of them could see you there makes you nervous, and prevents you from concentrating.

What if it happens?

What if, despite Fury’s promises, you run into one of them?

You have no idea what you might tell them if it happens. Is it better to beg for their forgiveness, or would it be too much? You bet they wouldn’t even listen to you, anyway —; they haven’t in the past, why would it be different a year later?

Maybe they won’t even acknowledge you, and you should probably do the same —; but wouldn’t it be worse? You are not sure that you could handle this possibility, that you could walk by the people that once were your family as if they were complete strangers.

Maybe it is better if they decide to scream —; that is what a part of you is craving for, no matter how twisted it can be. Because, if they scream, if they still hate you, it means that they care, right? No one would take some of their time and energy to yell at someone they don’t care about, right? Because it wouldn’t make sense.

“The kind that does it for fame,” he replied, and you could feel the weight of his gaze. It was so intense that it made you want to disappear. You hate it, the way he looks at you, as if he knows all the secrets of your soul, and so you are fidgeting in your seat, unable to stay still because of your nerves.  

“No, I am not,” you sighed the words that you knew the man was expecting you to say, falling right into his trap. You are conscious of it, but you are too exhausted to fight, and it is way much easier to give the man what he wants.

Yet, your voice is full of uncertainty —; does it make you a bad person to want to stop helping people? At least, that is what he seems to be suggesting, and maybe he is not wrong. Maybe the only reason you want to stop is because you are selfish —; anyone with your skills wouldn’t hesitate to save the world. But not you, not anymore. Why? When did you become one of the bad guys, one of those who don’t care about others?

You want to tell him — to yell at him — that it is not about lost celebrity, that it was about being hated by almost every soul living on earth, but the words get stuck in your throat —; what’s the difference, after all? Are you really gonna let people die because they do not like you, is that the kind of person you became? No, it is not, and it will never be.

“Does that mean I can count on you?” he asked, and you answered with a murmured yes, because that is what he wants to hear, and because you only want this conversation to end. From the very moment you sat on this chair, you have been eyeing the exit, and you are more than willing to give the man what he wants in exchange for the right to leave.

—   —   —

“I am a hero,” you whispered in your breath, “and that’s what heroes do,” you added, repeating the sentence once more. You were trying to find a little bravery in this mantra, the one you needed to push your limits a little further. 

Yet, all you find in these words is deep despair, because a part of you knows that they are not true — and you are not a hero. Not anymore. You tried to believe Fury’s lies. You wanted to believe them, and deceive yourself because it gave you a bit of hope, a reason to carry on, but the illusion couldn’t last for eternity.

What’s a hero when they are hated by the whole world? A villain. It has been several years since you lost the title of hero. It is not about your great successes anymore, it is about all the mistakes you have ever made, the ones that make you detestable in the public’s eyes. Now, you are just an agent of S.H.I.E.L.D., and a controversial one at that. You are the rotten apple that the direction doesn’t really know what to do with. They might desperately need you — or, more accurately, your skills — but they do not want the world to discover that they didn’t fire you despite what they had announced to ease the minds.

Nevertheless, you had agreed to pretend, and to play Fury’s little games, because you didn’t know what else to do. You have been a little lost since you left the team, and the missions you were regularly sent on were a good distraction, but it has been months now, and you do not have the energy to pretend anymore.

Once this mission is over, the first thing you are going to do is to tell the man that it is over, you are quitting — yeah, you are going to leave the agency, and start a new life. The idea sounds appealing, and warms you heart with an emotion you thought you had forgotten; a will to live. You have waited long enough. You are not sure what you are going to do yet, but you know that it will be better — anything would be better than your current life. It will be a second chance, and a real one this time. Maybe you will change your name, and your face, and so you could be anyone you want to be — someone that no one hates. 

But, for now, the only thing you want is some rest. Slowly, your limbs become numb and, soon enough, you are not able to walk anymore, the ground disappears beneath your feet and you collapse into the snow, your legs unable to support the weight of your body. 

Maybe that is your second chance, you thought. Maybe the afterlife will be gentle.

It is so tempting to just close your eyes, to let the cold soothe your pain, and take all your worries away. You don’t know how long you have been walking, wandering around, waiting for help that may never come — probably for days. Days that seemed like an eternity. You were trapped in a landscape that you would surely have found magnificent, had the circumstances of your presence here been different.

The snow falling from the sky covers everything, and not an ounce of greenery escapes it. Yet, the sight wasn’t comforting — it was threatening, and scary. It was so cold that you couldn’t feel your fingertips. Everything was white, and all looked the same, turning the forest into a maze with no way out. The trees rose up, mocking and oppressive, as if they were only waiting for the moment you would give up.

Be patient. It will be soon, you thought, as your body hit the ground in silence.

You hardly notice you’ve fallen. You don’t even have the strength to try and get up, but maybe you don’t want to. The snow forms a gentle embrace, and you feel it begin to cover you in white too. Soon, you are going to disappear, and you’ll become a part of the landscape — How is it going to take, for nature to hide your body, to make it seem like you have never been here? A few hours? And how long would it take for them to find you? Probably more time. Who is “them”, anyway? You are not sure someone is coming from you, and despite your hopes, it is more likely that they won’t come. Did you forget that you have no one? If people do not care enough to show up at your funerals, do you really think that they would go to the trouble of looking for you in the middle of nowhere? What an idiot you are, you should know, by now, that there is no hope.

No one is coming. 

Even though the idea might sound sad, it brings a small smile to your face, as well as a weird sense of comfort — The peace you’ve been looking for is eventually within your reach. Soon, the world is going to forget your name, and your story. Maybe they won’t even know that you died here, alone in the woods, where no one can find your body.

You have tried to warn them about the situation. A last desperate plea for help to be sent, but you never found out if they got your message because your broken radio had died before they could confirm. Despite being an experienced agent, you have been caught out of guard by the situation — Should you wait for them here, or should you try to find a way back home on your own? The decision was made for you when the enemies started looking for you, there was no way you could escape them by staying in their base. Outside, you could hide more easily, and maybe even find a way out of here.

Yet, the days went by, and all you have done is get lost in the forest, a labyrinth made deadly by the snow and very low temperatures. There is no room for life in this place, and the fact that you survived for a few days is a miracle in itself.

You were perfectly aware of the risks when you accepted the mission. There are always high risks in this profession, and you were prepared to take them all, even the most irrational ones because nothing scared you — That’s your strength, you’ve never shied away from a mission. You knew that it wouldn’t go on forever, and that the risks you were taking would eventually lead to your demise — But who cares? Not you, nor Fury. Maybe it was exactly what you were both looking for-; the man wanted a soldier, and you wanted a way to die with dignity, which is exactly what he offered you.

And so, you accepted every mission he presented to you, worked on every file that was put on your desk without thinking twice about it. There was always a good reason to accept, many lives to save, and countless threats to the world, and for that, you were willing to take the risks that nobody else wanted to take. That’s what heroes do, right? They put their lives in line, for the sake of the population. 

So far, you have done surprisingly well, successfully returning from each of your missions. Yet, you knew it was only a matter of time before you ran out of luck. Maybe your current situation is solely your fault, for thinking that you could keep pushing your limits indefinitely — For forgetting that you are not a hero, only human. The blood between your fingers is there to remind you of that. It is red, as the one of all the people who live on this planet, and you can pretend all you like that you are a hero, but you’ll never be able to escape your condition, that of being human.

Yet, there is something oddly comforting in watching your blood staining the snow. Something that cradles you until your eyes close, something that helps you accept your destiny. These bloodstains are the silent promise that peace will soon arrive, the peace you have waited patiently for for years.

—   —   —

“Are you fucking kidding me?!” the woman screamed, her voice echoing throughout the room. No one dared looking at her, everyone avoiding her gaze. The team had just returned from yet another search mission, one of their last hopes of finding you, only to inform her that they had lost track of you — Again. 

The woman knows that she should not have listened to Clint when he told her that she’d better stay in the Quinjet and rest, something she has clearly been lacking in recent days. He even promised her that he would do his best. They all promised, but it was just lies. 

Natasha has waited for them for hours, obviously unable to rest because she was so consumed with anxiety. She had walked the whole length of the Quinjet more times than she can count, waiting for their return. When they came back empty-handed, she was furious. Not only they didn’t find you, but above all they had lost the only hint of your presence that they had managed to find since the search began, almost a week ago.

If she had been with them, things would have been different. She would have found you, she is sure of it — because she would have refused to come back before that happened.

Everything now seemed hopeless, and everyone was aware of this. That probably explains why they are abiding her gaze, not to escape her anger, but because they do not want to witness the pain they could read in her eyes. The spy had always been good at hiding her emotions, and no one had ever been able to read her — even after you left, two years ago, she remained composed — but her mask had started to crack in the last few days, and everyone could now see her worries. 

Natasha was the one who insisted for the Avengers to come for you, and although she insists that this decision is only motivated by her duty, everyone knows there is more to it than that — Feelings that the years had not erased, strong ones that she had buried, but which were resurfacing since she learned that you were in danger. You are her weakness, you are the only one that can make her lose her temper that easily, it is as if she was suddenly a child again — One with emotions too big for his understanding. It is like two years ago, when she saw the pictures and felt her heart being shattered.

“It is okay, I am sure that we are going to find her,” a voice raised, and it was Fury’s. The man was the only one to be brave enough to do such a thing, the only one who didn’t fear the redhead, even though he was the one who should be most wary. The man is standing on the opposite side of the room, leaning nonchalantly against the wall, his arms crossed — They could have been talking about their next meal, and he would have had the same fucking attitude, she thought. “She is strong, and smart. I am sure she will find a way to survive, do not underestimate her, Romanoff,” he calmly added, but his disastrous attempt to calm the atmosphere has the opposite effect — All she wanted to do was to violently rip the expression on his face, she couldn’t stand the overconfidence she could read on it, and the calmness that didn’t fit with the seriousness of the situation. 

“You know nothing,” she replied through gritted teeth, the only way she had found to not scream at him, “you are just trying to make yourself feel better about what’s happening because it is your fault. One of your agents is going to die, and it is all your fault!” she yelled the last sentence, unable to keep her voice low as she felt the rage building inside her. The man didn’t even care, he sees you as an asset, not as a human.

“She is an agent, Romanoff, and one of the best. It is her job to take risks, and she knew them before accepting the mission. This regrettable accident is no one’s fault,” he said, unimpressed by the redhead’s outburst.

“Oh, please!” she exclaimed with a bitter laugh, “this mission wasn’t risky, it was suicidal, and you are perfectly aware of that. No one in their right mind would have accepted it, but she was vulnerable, and you knew it, and took advantage of her state to get what you wanted!” she had moved closer, until she was almost spitting in his face, until the accusing finger she was pointing at him almost touched his chest. She knows the man and his tricks, she knows that he always finds a way to get what he wants. “I hope it was worth it because, if we don’t find her alive, I’ll make sure to bury you next to her grave,” she spitted, not even trying to hide her threat — No, not a threat. It was more than that, it was a promise. 

Those are the last words she said before leaving the Quinjet.

They have been looking for you for days, and everyone is painfully aware that the chances of finding you are diminishing with every passing minute. Yet, the woman is not ready to stop, not until she has hugged you one last time, dead or alive. Looking for you was no easy task, and every clue they have found eventually led to a dead end — You are too skilled for your own good, she thought, and it was almost frustrating. If it wasn’t for your skills, and your ability to disappear without leaving a trace, they would have found you days ago. If it wasn’t for your skills, Fury would have never sent you on this mission alone, and he definitely wouldn’t have waited for so long before sending a rescue team.

The woman had to beg him, to scream, for him to accept to give in some pieces of information about how you were doing. He said that you were fine. He said that you were fine, but it was just a lie. He looked at her, promising that nothing would happen to you, but he only said that to get her out of his office. As she later learned, the man had no idea of how you were doing because it was a no-contact mission, and if you gave them news, it would only be to share bad ones.

She heard the message you sent, a plea for help playing on a loop in her mind. Despite the poor quality of the transmission, and the cut words that prevented them from understanding your situation clearly, she could feel your fear, one that made her blood run cold — The woman has never heard you being so scared before.

Fury has waited two days before sharing the message with her. He said that he was positive you would find a way out on your own, and it would be too risky to send a team there when they had no idea how the situation was, but she hadn’t listened to him. All the woman could see was how he almost ruined every chance to rescue you for some ego problems, and foolish confidence — Everyone knows that after two days the chances of finding a missing person alive are slim. 

She hates him for that. She hates him for allowing you to die.

Or maybe it is herself that she hates, for letting you down years ago, when you needed her the most — If she hadn't, none of that would have happened, you wouldn’t have taken such risks in the hope of achieving some kind of redemption.

“What do you want?” she asked curtly to the person that was following her. She didn’t need to turn around to know who it was — Steve. In recent years, the man had developed the bad habit of following her wherever she went, convinced that she needed him.

“You forgot that,” he said, and she looked over her shoulder at the jacket in his hands. A wry smile appeared on her lips at the sight of the garment.

“Because I don’t need it,” she sighed, her tone as cold as the forest because of how exasperated she was by the way the man was trying to play hero. Maybe he was one for the rest of the world, but the woman definitely didn’t need to be saved, and especially not by a man that is convinced he knows everything better than everyone else.

“And, how exactly, do you expect to be able to help her if you are freezing to death?” He asked, trying to coax her into taking the jacket — But only someone who doesn’t know her well could imagine having any chance of convincing the woman.

“Did you forget where I am from, Roger?” She asked back, stopping in her tracks to face him, the sudden act surprising the man who almost ran into her, “If you are cold, then you can go back to the jet. No one asked you to follow me. So now, shut up or leave me alone,” she warned him before resuming her journey, the man at her heels. Natasha wasn’t walking in the forest for pleasure, and she couldn’t afford any distraction.

The woman has to concentrate to make sure she doesn’t miss any traces of your presence. These are rare, almost imperceptible, and easily hidden by the snow. She needs to be sure that she won’t miss anything, and that is something she can’t do if the centenarian doesn’t stop rambling in her ears.

Fortunately, the message seems to have got through because not a word was spoken for the next hours, and the two Avengers just walked in silence. Only the snow crunching under their feet broke the heavy silence. It had been hours, and the landscape didn’t seem to change, giving the impression that they were walking in place, or that they were going in circles. No matter where her eyes landed, all she could see were snow-covered trees, but that was until she spotted it. It was almost invisible, but there was no way she was going to miss the only thing that wasn’t white in the landscape — A red stop. A spot of blood, probably caused by a few drops, but that was leading to a trail staining the forest’s perfect white coat.

“Wait! Where are you going?” the man exclaimed when he noticed that his partner had run off, but he got no answer. His eyes weren’t as sharp as hers, and so he didn’t notice the stains straight away.

When he finally catches up with the woman, he was so taken aback by the scene that he was unable to move, or speak. It was so unexpected that he felt like he was daydreaming, and wondered if it wasn’t the cold that was causing him to hallucinate.

There, a few meters away from him, the redhead was kneeling in the snow. She was close to a body whose identity was in no doubt — You. Suddenly, all he can see is the rigidity of your body, the bluish tint of your lips, the snow that is covering your face, but above all the scarlet puddle that is staining the snow, so big that no one could miss it.

“Give me the jacket,” she asked him, her tone firm despite the obvious tremor in her voice. Her eyes never leave you, even for a moment, perhaps because she was afraid that you would disappear, and that she would lose you, again. “Steve. The jacket,” she asked again, but more urgently this time, “give me the fucking jacket, and go get the others!” she repeated, and the shout seems to shake the man out of his torpor because he eventually hands her the jacket before running off, in the direction of the jet. 

Natasha didn’t look back, but she heard his footsteps in the snow as he walked away. Now alone, she gently lifts your body, wrapping you in the jacket, and even pulling the hood down your face to protect you from the snow and wind. She can’t help but let her hands linger on your visage, her thumb gently tracing your features, then brushing past your now blue lips to eventually follow the wound on your cheek.

For a few seconds, she allows herself to get lost in the familiarity of your face, but the blood that is left on her thumb after she ran it over your cheek brings her back to reality — You are dying. Maybe you already are, dead. Yet, there is not much she can do before the arrival of the rest of the team, except praying to all the gods whose names she knows, even though she has never believed in them — Please, if you exist, it is the moment to do something good, she thought, and the woman was so deep in her thoughts, trying to keep the last shred of sanity she had, because the last thing you need is for her to lose her temper, that she missed it at first, those words that came out of your mouth.

“What?” she asked, a little abruptly, as her eyes fell on your face. Your expression hadn’t changed, your eyes were still closed, and so were your lips, giving the impression that she had imagined the whisper. “Did you say something?” She nevertheless asked, and several seconds passed in silence. She felt the hope that had made her heart beat being replaced by despair, until she notices the trembling of your lips as they try to come to life. At first, no sound escapes, only a whimper that breaks her heart. “Shh, it is okay, take your time, baby. You can do it,” she quietly encouraged you as she noticed your struggles. 

Her hands cup your face, and the warmth of the contact, accompanied by the circles her thumbs are tracing on your cheeks, is comforting. It helps you to ignore the pain for a moment. The gesture even gave you the strength to talk.

“You..,” you started, but this simple word requires so much effort that you need to catch your breath before continuing. “ ..came..,” you eventually added, the second word coming out as a broken whisper, and the woman has to be close if she wants to understand what you are saying.

“Yes!” She exclaimed, “yes, I did. W- We are all here, baby,” she softly replied, her voice trembling slightly because of emotion, just like her hands as she continued cradling your face. 

They are here? All of them? You thought, and the realization brings tears to your eyes. The woman can also feel tears welling up in her eyes, and you can see them. Yet, she should not cry. She has no right to cry when you need her to be strong and calm your fears. The woman knows it and yet, she can’t stop the tears from rolling down her cheeks. For so long, she had hoped to see you again, prayed for a second chance even though she knew she didn’t deserve it, but she hadn’t imagined that life could be cruel enough to offer her what she most wanted under the worst circumstances — Once again, she was about to lose the most important person in her life.

“Is.. that.. end.. ?” You painfully asked the woman. 

You have once heard a belief saying that the Angel in charge of helping a soul to travel to the other side always takes the appearance of the person the deceased loved the most during their life. You wouldn’t have expected anyone but the redhead to be yours. You may have tried to hate her for years, but the truth is that you have been unable to stop loving the woman.

“Because..,” you continued, but were stopped by a violent coughing fit. “Am.. ready.. now..,” you eventually managed to say. You want nothing more than to touch her face one last time, but your body refuses to listen to your desire and, as you try to move your hand, all you manage to do is to wiggle your fingertips — But it is okay, you thought. You are content enough with being able to see her one last time, and knowing that her comforting touch is the last thing you would feel before Death wraps its arms around your body, taking you somewhere where pain does not exist. 

“The.. end?” The woman repeated after you, a bit confused at your words, and you can tell because of how her eyebrows are knitted together. “Oh no, honey, it is not,” she whispered, trying to bring you a bit of comfort. “You are going to be fine, I promise,” she said, repeating those words a few times, unsure if they are really meant for you.

“I.. know.., I.. believe.. you..,” you whispered back.

“Then stay with me, baby, okay? Keep your eyes open for me, please. Just a few more minutes, and then everything will be fine, I promise. Do you think you can do that for me?” She started rambling when she noticed that you were struggling to keep your eyes open. Yet, it doesn’t seem to work as she watches you slowly slip into unconsciousness. “Tell me, love, where does it hurt? Could you do that for me?” She attempted, hoping that the question would be enough to ground you, to keep you here, with her, until the others arrive.

“Everywhere..,” you whispered, and it was the last thing you said. You were in so much pain that your whole body was numb, and you could barely feel something, unable to tell the difference between your arms and legs.

You are not sure what happened next, or how long it was before the rest of the team arrived, because despite Natasha’s attempts to encourage you to stay awake, you ended up losing consciousness. The last thing you were aware of was the sound of a vehicle, along with a few words that were yelled, and even if you couldn’t understand what they were saying, you were able to grasp the urgency in their tones. The last thing you remember was being lifted. That is when you knew you could do, before the arms that were carrying you were comforting, they were the promise that everything would be fine now.

After all, she promised. Didn’t she?

—   —   —

It was all a lie, when she promised that things would be okay now.

Since the very moment you have opened your eyes, after a few days spent in a coma, the world has been nothing but pain. She had promised you a world where suffering doesn’t exist, but had given you the exact opposite, every day being worse than the one that preceded it. Your wounds won’t heal, and despite the weeks that had passed, you were unable to walk properly, or anything without help. Every step you make, every breath you take, are the reminders of what was taken from you.

You had wished for Death. You had waited for the moment you could leave this world almost impatiently, but when the time eventually came, you were brutally ripped from Its arms. When the woman wrapped her arms around you, wrapping you in a comforting embrace, whispering the promise that everything would be fine now, you naively believed her. It is not before it was too late that you realized your mistake. You have thought that the woman you saw was your angel, but it has only been Natasha, a human, with her flaws and mysteries.

Why did she even decide to come?

The question has not left your mind since you opened your eyes. It raises a feeling of confusion, and anger, because there is no explanation you could think of that would make a bit of sense.

You have not talked since they brought you there, at the compound. It is a place that you’ve never thought you would ever see again, but mostly a place you never wanted to return to. At first, they thought that you just needed a bit of time to adapt, but the days soon became weeks, and you remained locked in your silence despite their many attempts to encourage you to say a few words. The only sounds they have heard coming from you are the whimpers of pain that sometimes fall past your lips.

Natasha has tried to speak to you, but you would always ignore her questions and ramblings. Yet, it has never stopped her from trying. Even though she is not sure that you can hear her, even though whenever she enters your room, she finds you looking out of the window, staring blankly. The woman had stopped closing the shutters a while ago, so you would always have something to look at, but you probably didn’t even notice the difference. It seems that your mind is somewhere else, somewhere she can’t reach.

You are far from here, from this room you hate with your whole heart but that you can’t leave despite your desires. A room that is not yours, and certainly not home despite what they may say, and you would rather be anywhere else, even if it means locking yourself in your thoughts. 

It is something they would have known if they had asked you, but apparently they didn’t think to ask for your opinion when deciding your future. The Avengers Tower is quiet, and comfortable. Somewhere you are familiar with, and where you would be able to get the care you need — The perfect place. The only place. You have no family, no friends, that could have agreed to take care of you until you are back on your feet. The Avengers may not be your family anymore, but they are the only ones who have agreed to bear this responsibility — Or most likely they felt like they had to. You probably want to be here as much as they want you to be there, and you know that they are silently praying that you will go away soon. You are the constant reminder of what they want to forget.

And so, you have slowly found comfort in your own mind. The only place where they can’t bother you, where suffering and time does not exist. Except that, as the days go by, it gets harder to ignore the woman. She is the only one who has never given up, always trying to talk to you when she comes to your room, even though you have never replied once. Whenever she comes to bring your meal, or your medicine, or help you to change, she would stay a bit longer, rambling about anything that comes to her mind — And you hate it. You don’t care about her last mission, nor do you care about the last movie she has seen. 

When she is here, time seems to flow slowly, minutes becoming a painful eternity. You wish the woman would understand your silence as the sign that you don’t want to talk, but it is apparently not a sufficient clue because she has never stopped talking.

The last thing you want is to get out of your caparace, because you don’t want to see what is outside, but it becomes almost impossible to ignore the world when the woman keeps invading your bubble. Her voice, her soft touches,.. they held a new promise — Everything will be fine, she continues saying, but now you know it is not true. You have fallen for her lies one time, and promised to yourself that you wouldn’t make the same mistake twice. These touches didn’t bring you any comfort, only frustration which then turned into anger. You have felt it boiling inside you for days now — Until you couldn’t bear it any more.

“Why?” You whispered. The woman was helping you to put on clean pyjamas, and you think she was rambling about her day when you cut her off with your question.

You are not sure why you have decided to talk that day. You are not even sure that it was your decision, the broken whisper falling past your lips before you could realize what was happening. You wish you could take back your word, but it was too late. The woman was as surprised as you were, judging by the expression on her face. Her lips are moving, but it is her turn to be at a loss of words.

Somehow, the hesitation you could read on her face made yours disappear instantaneously. Suddenly, you didn’t want to stay silent anymore. You wanted to be heard, to get the anger out of your body because you couldn’t bear the weight of it anymore.

“Why?!” You repeated, but this time you yelled the question. At least, it was the intention, but after so much time without talking, the word was nothing like a scream, only a strangled cry. Yet, despite your voice being weak, you realized that you didn’t want to stay quiet anymore — Not now, when you just got it back. Not when there are so many things you want to say, to scream in their faces.

“Why what?” She softly asked, stopping what she was doing for a second. Her hands were resting on your knees as she was talking. You were sitting on the edge of the bed, and had to lower your head a little to meet her eyes. Yet, she doesn’t dare to hold your gaze for more than a few seconds.

You scoff when she looks away, doing the same thing as you can feel tears coming in your eyes. She must not see them. “Playing games, are we?” You said back. Your tone is venomous, your words rude, and meant to hurt the woman, even though she took care of you the past few weeks.

It may sound unfair to treat the woman after all she has done for you — After she saved your life. Yet, she is still the one who dumped you years ago, the one who broke your heart, ruined your life, and made promises she couldn’t keep. The truth is that, if you can’t handle her presence, it is because you know that you don’t want her to be really gone — You shouldn’t, but you want more of it, more of her and her reassuring presence. Her sudden gentleness, after she pushed you away so violently, is building your hopes back up. A feeling that is painful when you know that they would never become a reality.

“Listen,.. I-,” she sighed, but before she could find the right words to answer your questions, you cut her, again. You already had enough, wanting this conversation to end, and now.

“If you can’t give me an honest answer, then I don’t want to listen to you,” you abruptly said, warning the woman that she should carefully choose her next words.

The woman may want to say something, but when she opens her lips, no sound comes out — Because she has no idea what to say. The truth is that Natasha is as confused as you are, the same unanswered questions occupying her mind. She doesn’t know why she went after you, and the lack of response keeps her awake at night. 

The woman simply knew that she needed to be there, that her place was by your side, and no word was strong enough to describe how worried she had been about you all this time, a feeling that has lingered inside her since you left. She pretended not to care, tried to bury these feelings as she had been raised to do, but it never really left.

You had poisoned her soul, her heart.

But you know. You already know the answers to your questions, you only asked because you wanted to hear them from her mouth. You want her to admit that her actions were only guided by her guilt, not by the love she pretends to bear for you, because that is the only way you would be able to get rid of the painful hope that, maybe, things could go back to the way they used to be.

But obviously she wouldn’t say that. 

The great Natasha Romanoff would never admit that she is selfish, and imperfect. 

That she is far from the hero everyone thinks she is.

“Get. out,” you eventually asked the woman. She has hesitated, and missed her chance to say something. “GET OUT,” you yelled when you noticed she was about to protest, “LEAVE ME ALONE,” you added, pushing the woman who was kneeling in front of you with all your strength. When she didn’t budge, it only added to your distress.

For once, she listened to you, and left the room. The door closed behind her with a soft thud, and just like that you found yourself plunged into the silence you’ve been longing for — Yet, it didn’t feel as comforting as you expected it to be.

Somehow, since that day, you have only felt worse. Since you have found your voice again, you only used it to express your anger, yelling at anyone trying to get into your room. It has been several days now, that your cries have been echoing in the tower, making it clear that you wanted to be left alone. If the past few weeks you have been bearing Natasha’s presence, it wasn’t the case anymore, and now the woman couldn’t even do something as simple as knocking at your door without you screaming. You do not want to see, hear, or feel her — Even the mere thought of the redhead was too much.

All of them had tried to step in your room, convinced they would be the one able to calm you down, but everything they achieved was to worsen the situation. Eventually, they stopped coming, giving you the loneliness you thought you wanted — Then why are not feeling better, now that you have what you asked for? 

You are torn apart by contradictory feelings and needs, unable to quite understand what is going on in your mind — It is obvious that you don’t want to see Natasha. And yet, everytime someone other than the woman opened this door, you felt disappointment filling your heart. Maybe that is why you yelled, why you were so angry. 

When they eventually stopped knocking at your door, you caught yourself hoping for them to come back. Your days are now an endless succession of hopes, built up at every sound of footsteps in the corridor, and disappointments, when you eventually hear them going away. She has proven you right, you thought. She has proven to you that she doesn’t care, and you have used up all your tears crying over this idea, days and nights. 

You wish you hadn’t said those things, that you hadn’t screamed at the woman, because you were now missing her presence. Her gentleness may have been annoying, but it has been so long since the last time someone has been this gentle with you, that now it was gone, you were craving to get it back. She gave you a second chance, and you have thrown it away for what? Nothing.

It took a few days before you eventually decided to leave your room. It was not by choice, obviously, and you only agreed to leave the comfort of your bed because of the hunger that was slowly gnawing at your insides. The last meal you got was the same day as the last time you saw Natasha, and you knew you couldn’t go much longer without eating. At first, you told yourself you would endure the pain, that you deserved it for what you did to the woman, but it didn’t make it more bearable, and you eventually gave in.

The plan you made in your mind was easy — Waiting for the night to come, make sure that no one is awake, and then quickly getting down to the kitchen. Only a few minutes, only time to grab some snacks before making it back to the comfort of your room. Yet, you should have known that things never go as they are meant to.

The journey to the kitchen was everything but easy. You have probably been a bit too optimistic about your ability to walk when you thought about your plan. The pain in your leg was so intense that you were only able to take a few steps before collapsing, and had to almost drag yourself down there. Every step felt like running miles, leaving you short of breath. And yet, despite all your efforts, despite your strong will, you were eventually forced to give up when your legs have once again shifted under your weight, leaving you on the ground, unable to get up despite your attempts. 

When even crawling felt too demanding, you were left with no choices but to wait for someone to rescue you. Suddenly, you were submerged by an overwhelming feeling of hopelessness, and shame, that only worsened when you heard footsteps. You didn’t say anything, and only closed your eyes, hiding your tears behind your eyelids. You were softly praying that whoever is here would ignore your limp figure, scattered on the living-room’s floor, and do whatever they came here for as if you weren’t here. 

“Oh sweetie, no.. I won’t do that,” a feminine voice softly said, and you immediately recognize it as Wanda’s. It holds a gentleness that is unique. 

Your suspicions are confirmed a moment later, when the woman kneels beside you. For a second, you thought about pushing her away, especially when her hand brushes your hair out of your face. The witch is aware of that, but she also knows that, deep down,  behind the walls that you’ve built to protect yourself, you were craving for her attention. That’s why the woman didn’t remove her hand right away, a sad smile stretching her lips when she realized how you were leaning into her touch.

“Are you hungry?” She eventually asked, and you opened your eyes, a bit surprised by the sudden question. You blink, twice, unable to give the woman a verbal answer — But she doesn’t need one. She is perfectly aware of why you came downstairs, and she doesn’t need to use her mind-reading abilities to know that, already aware of how you have been refusing to eat anything for the past few days. “Good,” she whispered, careful with her words. She couldn’t risk you shutting down, again. “Because I was cooking, but did way too much for one person,” she explained, smiling.

It is a lie, and you both are aware of that. 

It is past midnight, and the woman was probably just looking for some water. She definitely wasn’t cooking, and is probably not even hungry, but she knows that this innocent lie would help you to feel less guilty. The woman knows how stubborn you can be, and how you would probably have refused if she had proposed to cook you a meal, scared of wasting her time. Yet, she couldn’t let you go back to your room with only a snack. You need energy, if you want to get back on your feet as soon as possible.

“Come here,” she said when you hesitantly nodded, “let me help you,” she added, and you didn’t protest when the woman wrapped her arms around you — Her embrace was soft, and comforting. 

“I got you,” she whispered in your mind, “everything will be fine now,” and, this time, the words felt true. It has been a long time since you felt as safe as you did in the Witch’s arms, the woman being the only one who has never treated you differently, or hated you for what happened years ago. She was the hope that things could work out. 

THE END. —

| MOODBOARD — ✧ — MASTERLIST — ✧ — TO SAY SOMETHING

| Part one. Part two. Part three. the scars in our hearts (bonus part).

| Taglist — @cd-4848, @chocolatestrawberrykryptonite, @gemz5, @jusnough, @liasxeatt, @m0nsterqzzz, @marvelwomenarehot0, @mrsrushman, @riyaexee, @takeyaki, @taliiiaasteria.

[ofmermaidstories]

SUMMARY: The call to be a Pro Hero has never been a question—not for Katsuki Bakugou, explosive and guarded, nor for Izuku Midoriya, protective and determined, and certainly not for Shouto Todoroki, who’s family legacy hangs over him like a shadow. Years after the War that upended Hero Society, these three men have helped rebuild a path to Pro Heroism for the next generation, tentatively heralding a new era of hope. But there’s danger lurking in this rebuilt world, danger that has the power to rekindle old fears and usher in new resentments, and as the trio branch out to find and end these threats, they each encounter a new challenge along the way—colliding with someone unexpected, and falling in love.

(A Pro Hero x Reader Trilogy; in which falling in love is a random chance all at once chaotic and exhilarating and incredible, for each of the Big Three)

The premise is simple: three heroes, three fics, and three different lives to live. Named for the Katy Perry song, The One That Got Away, the In Another Life trilogy was originally intended to be a series of five stand-alone fics that evolved, fairly quickly, into what we have today: three interconnected stories that let our Reader-inserts move throughout the My Hero Academia world, and eventually find where—and who with—they belong.

Started in 2020 when the manga was still on-going, the fics have diverged from the canon Horikoshi’s given us both in small and large ways. Despite where they separate (and where the fics have to stay faithful to their own canon, now), it’s always been my hope that they read like the love letters they are—to My Hero, to the boys, and to x reader fic at large.

i’m running to your side—flying my white flag

1. surrender (whenever you’re ready) [Explicit] — ao3

93k+

Bakugou Katsuki x Reader

COMPLETED ✔️

SUMMARY: You first meet Ground Zero when he's thrown, unceremoniously, through the glass window of your florist shop.

(In which Bakugou cannot stand flowers but finds himself coming back, anyway)

i’ve been reading books of old—the legends and the myths

2. something (just like this) [Explicit] — ao3

203k+

Izuku Midoriya x Reader

COMPLETED ✔️

SUMMARY: It probably says a lot about you that your first thought on meeting Deku, international Symbol of Peace, isn't something like "Oh, wow," or, "Oh he's so nice," but is instead the un-Plus Ultra thought of, "I definitely would've bullied him, in high school."

At least until those muscles came in.

(In which Midoriya is an absolute nerd for the release of his own hero-inspired comic book series—and the artist responsible for it)

all your flaws and scars are mine

3. still (falling for you) [Explicit] — ao3

TDB

Shouto Todoroki x Reader

WIP 🕙

SUMMARY: The first time you and Shouto cross paths, he nearly drowns you.

(In which Todoroki meets a jeweller by the sea, and learns the difference between the value of the lessons he's been given—and the precious things he chooses to keep)

🚧 UNDER CONSTRUCTION 🚧

i am actively adding to and editing this section, still. if you think something is missing, or you have something you’d like included, please let me know!!! i am going through all the posts and links i do have, manually, so i may still miss something and would love a gentle reminder. 🌷

🚧 🏗️ 🧱🔨🔧🪛 🚧

[ASK/DRABBLE 📖] [SWYR] do u think bakugou ever gets so angry his mouth misses [Readers] when they’re making out?

Katsuki’s home for once, sleeping off the last few days in the darkness of his room, cocooned.

[ASK/DRABBLE 📖] [SWYR] what type of jewellery would Bakugou gift [Reader], if any at all?

The first gift Katsuki gives you after Christmas is a pocket knife.

[ASK/DRABBLE 📖] [SWYR] how are weeds and katsuki?

It’s a Wednesday, a normal day, and they are figuring it out.

[ASK/DRABBLE 📖] [SWYR] petition for you to write [Reader sending] bakugou horny tweets

light it up like an ELECTRIC STRIKE ⚡️: please please PLEASE Kacchan has blocked me and muted the groupchat PLEASE, I need him to see this, please just send him this ONE THING, PLEASE!!!!!

[ASK/DRABBLE 📖] [SWYR] would [it] be important to bakugou for [his parents and weeds] to meet?

Masaru will just scratch the side of his nose under his glasses and think about a younger Mitsuki, who literally would not take no for an answer from him—and a younger Katsuki, who had the same laser-focus when it came to the things he wanted in his life.

[ASK/DRABBLE 📖] [SWYR] i am asking for royal au + florist au for [weeds/bakugou]

In his armour still, his forest-green cape, Ser Bakugou is dressed for war—solid and imposing as he stands on your threshold.

[ASK/DRABBLE 📖] [SJLT] what does [Reader] post [to instagram]? + [SWYR] things weeds would post

The one consistent has been art, good, bad and middling.

[ASK/DRABBLE 📖] [IAL] it’s so cute that SWYR’s reader is a fan of SJLT’s comic

Kacchan has never asked for anything from Izuku—beyond that he doesn’t look down on him (beyond that Izuku live).

[DRABBLE 📖] [SWYR] katsuki keeps a pot of strawberries for you in his kitchen;

When they finally fruit he’s disgruntled.

[DRABBLE 📖] [SWYR] katsuki’s quieter than usual

So you wait. You let him have his silence, and you fill the space around it with your own presence.

[DRABBLE 📖] [SWYR] he tells me he’s gentle when he wants to be—

The bed dipping under Katsuki’s weight wakes you.

[DRABBLE 📖] [SWYR] you and bakugou walk home in the rain

“Y’re meant to go home, dipshit,” he says, disapproving

[DRABBLE 📖] [SJLT] bad touch (you and me)

Minoru’s skeleton nearly fists itself out of his asshole when a voice behind him says, “That was a kindness you just did, for Midoriya.”

[ASK ❔] [SWYR] if you were to write surrender today, do you think anything would change?

[ASK ❔] [SWYR] what would have been the moment bakugou knew he had it bad for surrender's reader?

[ASK ❔] [SWYR] have you ever written/imagined Kirishima’s POV [throughout the fic]?

[ASK ❔] [SWYR] idk if you meant her to come off in this way, but [Reader] strikes me as [lonely]

[ASK ❔] [SWYR] i’m literally going to throw up from excitement if you actually make a bakuweeds oneshot collection

[ASK ❔] [SWYR] i am vibrating in my boots with excitement about the [SWYR] one-shot series!

[ASK ❔] [SJLT] did you have any inspiration for the kimono Reader is wearing in SJLT?

[ASK ❔] [SJLT] looking forward to our [gala] wear

[ASK ❔] [SJLT] could we have visuals of Reader’s outfits during the gala?

[ASK ❔] [IAL] double dates

[ASK ❔] [IAL] what city/prefecture does [the series] take place in?

[ASK ❔] [IAL] how [would] the Y/Ns react to fanfic about their heroes?

[PODFIC 🎙️] [SWYR] surrender (whenever you’re ready) — narrated by Chthonianqueen

[PLAYLIST 🎧] [SWYR] surrender (whenever you’re ready) [plays on spotify]

[PLAYLIST 🎧] [SWYR] and i’d give up forever to touch you: a suggested-songs playlist [plays on spotify]

[PLAYLIST 🎧] [SJLT] something (just like this) [plays on spotify]

[PLAYLIST 🎧] [SJLT] like lightning: a suggested-songs playlist [plays on spotify]

[ART ✏️] [IAL] bakugou & weeds, deku and & scribbles & bakugou/weeds, deku/scribbles, monoma/reader — by @groshia

[ART ✏️] [SJLT] you get to witness, in real time, as [Deku] leaps from the now open door — by @getstarried

[ART ✏️] [SJLT] izuku, just izuku. just as he is — by @handlethegbread

[ART ✏️] [SWYR] when you’re bakugou katsuki, — by @okeydokiescribbles

[ART ✏️] [SWYR] haru + the flower shop signs

[MOODBOARD 🖼️] [SJLT] the moodboard trend inspired me to make this little thing

[MOODBOARD 🖼️] [SJLT] SJLT is my all-time favourite fanfic,

[MOODBOARD 🖼️] [SJLT] this is just […] a collection of things that reminded me of this story

[BINDING 📚] surrender & the widening sky — @ladybirdk

[PODCAST 🎙️] Canonically Incorrect, episode 75, season 2: Surrender (Whenever You’re Ready) — 10 December, 2022

[ spotify | apple ]

[PERMISSION STATEMENT:] You are more than welcome to print out any of the fics and bind yourself a copy for personal use, or otherwise record a [non-AI] reading of them, or translate into another language—as long as my ao3 username, OfMermaids, is credited somewhere as having written it. 🥹📚 I also love, love seeing and hearing about the work that goes into the pieces you create for yourselves, so if you’re comfortable with it, I’d love to see a picture of (or get a link to!) your efforts!!

final note:

This series is the result of several years worth of love and work, and most importantly, encouragement from the people who have come along and read the stories in it. Whether this is your first time discovering the trilogy, or you’re otherwise revisiting the boys, this is a note to say thank-you for being here. Thank-you for reading, and for being apart of something that has been so much fun to create. Fandom and fanfiction has always been about sharing the excitement with other people—so thank-you for letting me share mine with you. 🌷📖

[cowboys-tshot]

Circe and Odysseus in Epic: The Musical

EDIT: DO NOT TAKE MY WORD AS THE 100% TRUTH!!

I took some classes and wrote a paper about ancient Greek culture, but I am in NO WAY an expert. Please read through the reblogs to see some good criticisms and discussion about this topic further. My point overall stands that you can't apply modern rules and standards to ancient stories, but my evidence is undoubtedly flawed! This post has been edited to try and better reflect this.

I'm seeing everyone pointing out the possible issues with Epic the Musical's deviation from the original story of Circe and Odysseus, and as someone who's studied Ancient Greece/ancient Greek myths a bit, I wanted to say some stuff about it. This will be a bit of a long one, so apologies for my rambling!

Note that I'm not trying to shit on SA survivor's perspectives and (completely valid) arguments. I'm just trying to offer some context surrounding the original myth and how it fits (or rather, doesn't fit) with a modern audience. If I'm wrong with any of this, feel free to call me out! Criticize the shit out of me! I like learning about Greek culture and myths and would 100% love to hear other perspectives on this.

So, a few points about Ancient Greek myths to kind of explain the context around Circe and Odysseus:

Greek myths often did not have good views/depictions of women. Women were very often depicted as conniving, selfish, sexually insatiable creatures. There are a few deviations from this trope, the most prominent of which being Penelope herself—she's basically the ideal Greek wife, staying loyal to her husband for 20 years and all that.

Adultery often only applied to women. Husbands cheating on their wives wasn't merely tolerated, but kind of expected. Men often cheated on their wives with various kinds of prostitutes, concubines, mistresses, etc. Although, sleeping with unmarried women (that weren't specifically prostitutes) or married women was still looked down upon. Women didn't have this same standard. They could only sleep with their husbands—hell, their husbands (and family) were pretty much the only men they could even interact with once some really sexist Asiatic practices were brought to Athens.

The original myth has Hermes very plainly lay out how Odysseus' confrontation with Circe will go: Odysseus will eat the moly, draw his sword at her, she'll proposition him, and Hermes directly tells Odysseus to accept. Basically a "sleep with her if you want your men to live" situation. (See this post for more specifics on this).

So, let's apply this to Epic: The Musical. Here's some reasons I think may explain the Circe myth being changed:

The Greek "women being evil" stereotype is... problematic. While I 100% understand that it's important to acknowledge male victims of SA, I don't think the original myth was focusing on Odysseus being a victim—I saw it more of an emphasis on Circe being a sexually selfish woman, as women were often believed to be. Changing Circe to be less conniving and evil deviates from the concerning Greek stereotype.

The SA in the myth is not actually very clearly SA. Yes, with a modern perspective, it absolutely is sexual coercion, but for ancient Greeks, not so much. It made sense to them that sex could be transactional, especially when gods were involved. It's already been established that Epic, while still generally accurate to the original myth, does change things relating to morality/themes in order to better align with modern Western ideas (i.e. OG Odysseus not being as remorseful and merciful, as that was expected of a Greek hero, but Epic Odysseus having more empathy because that's more modernly heroic). If something from the original myth doesn't translate well into modern culture, then it's understandable to want to change or omit it.

In the case that the original Circe myth wasn't SA (I'm not saying one is more right than the other, I'm just covering all the bases), then it wouldn't even constitute as cheating. Like I described earlier, men often slept with women that weren't their wives. Plus, being a goddess, she's already kinda exempt from being blamed if Odysseus slept with her—only women are ever really blamed for sleeping with (or being SAed by) gods, and even then, their husbands sometimes don't even give a shit. But modernly, we would not see it that way. To us, it's not societally acceptable for a married man to sleep with another woman (without his wife's consent, at least). While Ancient Greeks viewed Odysseus as a good (or at least okay) husband, a modern audience wouldn't. Making Odysseus loyal to Penelope and not sleeping with other women (assuming this wasn't SA, but again that's one interpretation) makes him the good, loyal, empathic, modernly heroic man that Epic is clearly aiming for. Repeating my last point: If something from the original myth doesn't translate well into modern culture, then it's understandable to want to change or omit it.

Applying modern perspectives on Ancient Greek society and mythology isn't worth it. Like, we all joke about Greek mythology/Ancient Greece being super gay, but it was often just what we consider pedophilia (it's called pederasty if you'd like to know more). Y'know the Hades and Persephone story? Like, the original one with the kidnapping? Yeah, that was kinda normal in some areas. The myth of Demeter and Persephone is tragic, yes, but it was so normal that a lot of wedding ceremonies included references/recreations of it! Girls got married off ASAP after their first menstruation to men of at least 30 years old. We don't tolerate that shit today (for the most part, at least)! But it was normal in Ancient Greece. Applying modern rules and standards to ancient culture just does not work.

Anyways, I'll shut up now! I'm gonna go keep listening to The Circe Saga lmao

[st0rmyskies]

What Your Favorite Link Says About You

A.k.a. The Links as tarot cards/your rising sign/your blood type.

Time

You're likely an older Zelda fan. Ibuprofen has become a food group for you. Anyone who thinks OoT isn't the greatest Zelda game has you clutching your pearls and tutting. Kids these days don't know how good they have it.

You are a person to whom young people come for advice, either in your career or in life in general. You're happy to give it, especially because you love to help, but on the inside you're silently screaming, What?? Why me???

You may have trouble sleeping through the night. Even if it's not every night, there are some where you just can't turn your brain off and worries or worst-case scenarios just keep playing and replaying ad nauseaum.

You enjoy time in solitude to appreciate the beauty of nature. I bet you know how to braid a mean daisy crown.

“The flow of time is always cruel...” - Some event in your life took your innocence from you, perhaps much too early. You grew up quickly because of it.

Legend

Either you had a crush on the emo kid in high school or you were the emo kid in high school.

You might be jaded by the world, but you still have a solid work ethic and a soft heart despite it all. Even if you hide it all beneath a healthy layer of sass.

You possess a multitude of skills, not all of which are related. Anytime a friend needs a piece of clothing mended or a picture frame hung on the wall or a leak in a faucet addressed, you have the tools and the willingness to help.

Either you have a history of moving frequently when you were young, or you have a restless spirit. You may never quite feel 'at home' in any given place.

"But, verily, it be the nature of dreams to end." - You’ve suffered a meaningful loss in your life and you have a hard time opening up again because of it. 

Hyrule

You root for the underdog, or perhaps you are the underdog. Any of those "against all odds" stories just hit you square in the chest.

Somewhat quiet by nature, you do vital work behind the scenes but you aren't the type to seek out a leadership position. Leave the limelight to somebody else, please.

You might sell yourself short when it comes to your skills and abilities, but you should believe in yourself, man! You can do it!!

You have a capricious streak in you that rears its head now and again. That smile can look sharp and devilish in the right light.

"It's dangerous to go alone!" - You either already have or are destined to find 'that one person' with whom you can open up and truly be yourself. 

Twilight

I'm willing to put money on the fact that Twilight Princess was your first Zelda game.

You have a strong sense of justice and get really bent out of shape when you encounter unfairness or flaw in the system, whatever that may be. You might be considered an outsider in some way because of this.

You're the friend who scoops spiders up in a cup and sets them outside. Live and let live.

You were the 'wolf kid' in middle school. Come on, those amazing tie dye shirts? Wolf Woman? Julie of the Wolves?? Even if you kept it inside, it was there in some way.

"Your current power would disgrace the proud green of the hero's tunic you wear." - You put a lot of stock in the opinions of others and hold yourself to a higher standard because of it. Sometimes that standard isn't achievable, though, so try to be kind to yourself. 

Sky

You, my friend, have a soft heart. You're generally a happy-go-lucky sort of person. You're likely to make excuses for those who've been mean to you in the past and come out as friends on the other side.

You're crafty, or at the very least good with your hands. You're the type to give someone a handmade gift rather than go buy something for them for their birthday, a holiday, etc.

You have a strong affinity for your friends. If anything bad were to happen to them, you'd turn violent at the drop of a hat.

You may have some level of chronic illness that affects you. Although you might do things in a different way or at your own pace, though, you still come out on top.

"You fight like no man or demon I have ever known." - You have the capability for great things. World-changing sorts of things. Don't give up!

Wild

You're some flavor of neurodivergent, if I had to guess I'd say ADHD. You have 42 tabs open in your brain at any given time and you have no idea which one the music is coming from.

You're an incredibly creative person, although you might have trouble finishing tasks/works-in-progress. Doesn't mean you didn't learn something along the way!

Rigid guidelines or deadlines stress you out. You'd rather be given a goal and decide for yourself when and how to get there. When you do have a deadline, you're a bit of a procrastinator.

Sometimes you don’t get the 'right' way to do things, but you carve your own path--although sometimes it's unorthodox--and get there in your own time.

"Courage need not be remembered, for it is never forgotten." - In spite of how your life changes you, for better or for worse, you have a driving inspiration or ethic or vocation that moves you forward at all costs.

Warriors

Those who don't know you well tend to boil you down to one or two trite traits. In reality, you contain multitudes. Most people couldn't handle all of you, not that they deserve to know even part of you.

You tend to lay it on thick--be that your charm, attitude, or whatever else your social shield might be--because you're hiding some deeper secret or insecurity at your core.

You're the mom friend or the planner in your group, or perhaps you're the oldest child. You’ll pass on an authority role if and when you can, but likely you’re still involved in some supervisory capacity in a given situation. 

You kill spiders with fire. Show NO mercy.

"You dare raise the blade of evil's bane to me? So be it. Hyrule's blood will be on your hands." - You have strong convictions and you aren't afraid to take risks, major risks, to do what you know to be right.

Four

Babe, if you ain't short, you've got short person energy. You scare me a little bit tbh.

You were praised for not being a problem child growing up, or for being very responsible at a young age.

You have a vivid imagination! You may have had an imaginary friend as a child or lived in your own little world altogether. I bet your notebook pages were strewn with little doodles in school.

You're a lover of information. If you could choose between an afternoon at the library or a movie matinee, it would be the former.

"Hanging around with you fools is dangerous for my health." - You're the snark friend, aren't you.  

Wind

You are extroverted to a fault. You need the company of others to recharge that social battery. The quintessential golden retriever friend.

You had active involvement in the music and theatre department. I'd be surprised if you weren't in at least one show in high school.

Having adventures is where it's at! You're a big fan of travel, either cross-country road trips or international flights. You could happily live out of a suitcase.

You tend to make friends easily wherever you go. If everyone in this classroom/workplace/bar doesn't know your name already, they will pretty quick.

"I have been waiting for you, boy... Do not betray my expectations.” - Against all odds, you've proven yourself to be worthy of great things. Screw what fate has in store! You're the type to take your own destiny by the 'nads.